George Roubicek

George Roubicek is an actor, and a dialogue director and script adaptor for English-language versions of foreign films and television shows. In the Star Wars Universe, Roubicek portrayed Nahdonnis Praji in A New Hope, although his voice was dubbed by a different actor.

Born in Austria, Roubicek appeared in a number of small roles throughout the 1950s, 60s and 70s, including the films The Bedford Incident, Billion Dollar Brain and The Dirty Dozen. In 1967, he appeared in The Tomb of the Cybermen, a four-part Doctor Who serial. Roubicek's scene for A New Hope was filmed over three days sequence in July 1976, near the final days of the film's principal photography. At the time, Roubicek said he had no idea Star Wars would grow into the cultural phenomenon it became.

Although he continued acting in small roles during his later years, his later career was more focused on dubbing foreign films and television shows into English-language films television shows. He directed the dubbing of 13 previously unaired episodes of the cult Japanese series Monkey, a show he previously performed voice acting for in the late 1970s. In 2008, he adapted the French animated film Azur & Asmar: The Princes' Quest to an English language version.

Early acting career
His earliest roles were bit parts in films during the late 1950s, including as a German prisoner in the 1957 British World War II film The One That Got Away, and a police constable in the 1963 murder mystery Blind Date. Raubicek continued performing in small roles in a number of films in the early 1960s. Among them were a cleaning service man in the 1962 British horror film Burn, Witch, Burn!, a Russian sentry in the 1963 British war film The Victors, and the character Lieutenant Berger in the 1965 American Cold War film The Bedford Incident. In 1967, he played Private Arthur James Gardner in The Dirty Dozen, an American war film and, to that point, by far his most impressive film credit. That year, he also appeared in the British espionage film Billion Dollar Brain, where he played the small part of Edgar.

Raubicek also appeared in The Tomb of the Cybermen, a four-part Doctor Who serial that aired in September 1967. He portrayed Captain Hopper, the commander of a rocket that brought an archaeological expedition to the planet Telos to study the Cybermen, a race of cyborgs. Andrew Cartmel, a science-fiction writer who served as a Doctor Who script editor in later episodes after The Tomb of the Cybermen, strongly criticized Hopper's dialogue in his book, Through Time: An Unauthorised and Unofficial History of Doctor Who. Hopper, who is supposed to be an American, frequently uses the word "guy" and what Cartmel called "odd fake American idioms" like, "It's not exactly peaches." Although Cartmel did not address Roubicek's performance, he said the dialogue was written "in a way that suggests the English writers have never traveled across the Atlantic and have paid precious little attention to the films or books that have flowed the other way".

In the late 1970s, Roubicek did some work on the English language dubbing of Monkey, a cult Japanese action/fantasy television series that ran from 1978 to 1980. He performed a few of the voice acting parts for the series and had a minor role in the technical dubbing aspects.

Star Wars
In 1976, Roubicek was cast in A New Hope, the first film in the original Star Wars trilogy, where he played the small role of Nahdonnis Praji, a commander with the Galactic Empire. He appeared early in the film, after the Imperial forces have seized the Rebel Alliance starship Tantive IV and captured Princess Leia Organa. However, his lines were dubbed by an American actor, so the character's voice does not at all resemble that of Roubicek. Roubicek appeared in only 17 seconds of the film, and his role consisted of only three sentences of dialogue spoken to Darth Vader aboard the Tantive VI: "Lord Vader, the battle station plans are not aboard this ship, and no transmissions were made. An escape pod was jettisoned during the fighting, but no life forms were aboard," as well as the response "Yes sir" to instructions from Vader.

The character was identified in the script only as "Second Officer", the character was not given the name Nahdonnis Praji until nearly two decades later, with the 1995 release of the Premiere Limited set of Decipher, Inc.'s Star Wars Customizable Card Game. Roubicek's scene was filmed over a three-day sequence in July 1976, near the final days of principal photography. Roubicek did not anticipate at the time that Star Wars would become such a cultural phenomenon, and that his first impression of the franchise was "What is this all about"? During a 2007 interview, Roubicek said, "I don't think anyone knew [what Star Wars was], except maybe George Lucas, and I'm not sure he knew all the time! We certainly didn't know. I wouldn't say this was just another job - there's no such thing as just another job - but I didn't realize how special it was going to be at the time."

Later career
Roubicek continued some acting in his later years, including a small role in The Infiltrator, a 1995 film about a Jewish freelance journalist who travels to Germany for a story about Neo-Nazism. However, most of his later career focused on the script adaptation and dubbing of foreign films to English language. In 1996, Roubicek handled the English script adaptation of the 1991 comedy science-fiction film Roujin Z. The Japanese anime film by Katushiro Otomo focuses on an elderly invalid man and a futuristic computerized hospital bed which takes on a life of its own.

In 2004, Roubicek was asked work again on Monkey, where he did some peripheral dubbing work in the late 1970s. He was hired as the director of the English language dubbing for 13 previously televised episodes of Monkey, which were released on DVD that year. The episodes had been included as a bonus feature on past DVD releases, but were only subtitled and had never before been dubbed into English. Roubicek was tasked with adapting the original Japanese scripts into English and directing the original cast in the dialogue for the dubbing. Roubicek said both he and the cast enjoyed being brought back together for the project. However, he said it was also particularly challenging. The recording sessions require what he calls a "horrendous" amount of concentration, but the script adaptation process proved even more difficult. Roubicek has to ensure the translation was not only accurate, but preserved the humor of the original Japanese scripts. Fabulous Films Ltd., the company handling the DVD releases, originally provided Roubicek only with transcripts of the English subtitles for the 13 episodes, but Roubicek disregarded them and had to start writing from scratch because, he claimed, subtitle transcripts "never, ever bear any relation to a dubbing script". During the filming process, Roubicek told the actors, "Don't be afraid, it's impossible to overact in this show!" He also gave them the advice, "If you have trouble getting into the Japanese accent, repeatedly say 'Ah so! Ah so!' a few times, and you'll find that it'll come naturally."

In 2008, Roubicek worked with filmmaker Michel Ocelot to adapt an English language version of Ocelot's 2006 animated fantasy film, Azur & Asmar: The Princes' Quest. which boasts what The New York Times described as a "flat, storybook style worlds away from the sculpture digital aesthetic pioneered by Pixar", tells a fable-like tale of two young boys in a mythic Middle Eastern setting. Roubicek and Ocelot together wrote and directed the English version of the film, which Roubicek described as "really a very traditional fairy story, Sinbad the Sailor meets Sleeping Beauty". The original film included dialogue in mostly French with small portions in Arabic. During the adaptation, Roubicek and Ocelot chose to translate the French dialogue into English, but preserve the Arabic without dubbing or subtitles. Michael Phillips, film critic with the Chicago Tribune, said this was the correct decision because it allows the viewers to share the same "momentary confusion" as characters who do not understand Arabic and are suddenly thrown into "disorienting surroundings".