Lightsaber combat/Legends

"You fool! I've been trained in your Jedi arts by Count Dooku."

- General Grievous to Obi-Wan Kenobi

Lightsaber combat was the preferred method of fighting used by the Jedi and Sith, which was initially based on ancient sword-fighting techniques. Throughout the centuries since its creation it developed into seven "classic" forms and numerous other styles. It was difficult to master for a number of reasons, one of them being that all of the weight a lightsaber had was in its hilt. It had been said that only a Force-sensitive individual could completely master lightsaber combat. All seven traditional lightsaber forms included the same basic techniques as ancient sword-fighting styles, such as defensive postures, overhand strikes, parries, and counterstrikes.

The seven forms of lightsaber combat
Each Jedi chose the style of lightsaber combat that best suited him or her. For example, Grand Master Yoda used the Ataru form to compensate for his lack of reach and height; Mace Windu used Vaapad to turn his inner darkness into a weapon of the light; Count Dooku's practice of the Makashi form fit first of all his intention to frequently engage in lightsaber-to-lightsaber combat, and second his emphasis on class and elegance as well as precision. Jedi learned elements of each form, though few ever mastered all of them.


 * Form I: Shii-Cho "Way of the Sarlacc" or "Determination Form"
 * Form II: Makashi "Way of the Ysalamir" or "Contention Form"
 * Form III: Soresu "Way of the Mynock" or "Resilience Form"
 * Form IV: Ataru "Way of the Hawk-Bat" or "Aggression Form"
 * Form V: Shien / Djem So "Way of the Krayt Dragon" or "Perseverance Form"
 * Form VI: Niman "Way of the Rancor" or "Moderation Form"
 * Form VII: Juyo / Vaapad "Way of the Vornskr" or "Ferocity Form"

The seven forms were not merely swordplay moves, they represented seven different kinds of philosophy. In addition, a lightsaber was not necessary to execute the seven forms: each form could be applied in unarmed combat. Jedi Masters Mace Windu, Obi-Wan Kenobi and Kit Fisto had demonstrated such talent during the Battle of Haruun Kal and the Bio-Droid Threat respectively.

Other forms of lightsaber combat


These forms were not considered a part of the seven main or "classic" forms. Some were systematized methods of lightsaber combat, while others were merely techniques or principles of combat applied to lightsaber combat. They were mostly based on other forms, with the exception of Form "Zero", which emphasized avoiding conflict whenever possible.


 * Sokan - using terrain to one's advantage
 * Shien - attacking many foes at once with wide, sweeping strokes and an underhand grip
 * Jar'Kai - two-handed lightsaber combat, using one blade for attack, another for defense
 * Lus-ma - only once mentioned, used by Grievous' MagnaGuards
 * Form "Zero" - avoiding combat when not necessary
 * Dun Möch - distracting and taunting an opponent, a Sith technique
 * Telekinetic lightsaber combat
 * Trispzest - a type of aerial dueling
 * Mounted lightsaber combat
 * Double-bladed lightsaber combat
 * '''Lightwhip combat
 * Tràkata - taking advantage of a lightsaber's ability to be turned quickly on and off

The Unorthodox
"Stop using the standard attacks, use the unorthodox!"

- Dooku to Grievous

Several techniques fell outside the traditional and practiced forms of the Jedi. General Grievous could employ more varied movements. His attacks were intended to misdirect and confuse traditionally trained sword fighters. Grievous was exceptionally capable of this due to the flexibility of his joints, robotic reflexes, and his many limbs. Only the most experienced and talented Jedi could withstand his attacks. For example, Grievous could hold one lightsaber in each of his four hands, spinning two of them very rapidly in front of him as a shield. Grievous used this against Obi-Wan Kenobi on Utapau.

Another unique lightsaber style was that of Adi Gallia who held her saber with a one-handed reverse grip resulting in wide, long swings. This was a personal variation of Shien, much as Vaapad was Mace Windu's personal variation of Juyo. Anakin Skywalker's first Padawan Ahsoka Tano and later his secret apprentice Galen Marek also seemed to prefer this style.

Dark Jedi Boc's combat style was an unorthodox mixture of the dual saber based Niman & Jar'Kai and highly aggressive jumping attacks directed straight at his opponent. He used this against Kyle Katarn in a duel on Ruusan, but&mdash;with some help from his friend Jan Ors and the Force&mdash;Katarn was able to defeat Boc.

The three styles of the New Jedi Order
In addition to the above-mentioned forms, there were three pace-based styles, probably applicable to all of the conventional and less conventional forms, though each style was more compatible with some forms than with others.


 * Fast style
 * Medium style
 * Strong style

These three styles were taught to the students at Luke Skywalker's Jedi Praxeum around the time of the crises of Desann's Reborn and the Disciples of Ragnos. One member of the New Jedi Order who mastered all three styles was Kyle Katarn. Katarn lectured students Jaden Korr and Rosh Penin on them already at their first training session.

The three styles, along with most lightsaber combat skill taught in the New Jedi Order, were based on the principle of the Three Rings of Defense which were introduced very early on in the history of the Order by one of the first students, Kam Solusar.

Marks of contact and maneuvers
All seven forms of lightsaber combat utilized these ancient terms used by the Jedi for describing the objectives, maneuvers to use, and the various outcomes that could arise out of a fight involving lightsabers as weapons. They could help focus a Jedi’s attacks and defenses on a few clearer categories, rather than diffusing awareness across an infinite number of possibilities in a duel.

Cho mai
A cho mai was the act of cutting off an opponent's weapon-using hand. This move showed that the Jedi using it had the honor to cause the opponent minimal physical damage; it also showed the skill and mastery of the Jedi performing the move to the opponent.

Cho mok
A cho mok was the act of cutting off an opponent's limb, such as a humanoid's leg.

Cho sun
A cho sun was the act of cutting off an opponent's weapon arm.

Sai cha
A sai cha was the rare instance when a Jedi beheaded his or her opponent. Sai Cha comes from ancient words meaning "separate" and "head" This was often reserved for the most dangerous of enemies&mdash;the ones a Jedi could not afford to keep alive. It could also be used on a being that was lethal but not sentient, such as an assassin droid. The form was used by Mace Windu to kill Jango Fett.

Sai tok
A sai tok, frowned upon by the Jedi because of its Sith-like nature, was the act of cutting an opponent in half, usually separating his or her legs from the torso at the waist. This was demonstrated by Obi-Wan at the ending phase of his duel with Darth Maul.

Shiak
A shiak was the act of stabbing an opponent. Jedi usually stabbed in the leg or arm, but a Sith variation of this is to stab through the chest, therefore assuring almost certain death to the unlucky victim. This was demonstrated by Darth Maul when he killed Qui-Gon Jinn and Darth Sidious when he killed Agen Kolar.

Shiim
A shiim was a more minute wound to an opponent by the edge of a lightsaber's blade. Depending on circumstance, this could be seen as either a desperation attack or to immobilize an opponent through pain.

Sun djem
A sun djem was an attack used by Jedi that deprived the opponent of his/her weapon, the objective usually being not to physically harm the opponent. Sun djem was a very diverse sub-form; moves ranged from spinning a lightsaber to dislodging an opponent's weapon to kicking or punching the opponent.

Mou kei


A mou kei was an attack used by the Sith and some brave Jedi that dismembered an opponent through a circular motion of the lightsaber, aimed at the major limbs. The objective was to finish a dangerous opponent. This was the attack used by Obi-Wan Kenobi to end his duel with Darth Vader on Mustafar.

Jung
A jung in lightsaber combat was a 180-degree turn.

Jung ma
A jung ma was a maneuver used by Jedi to perform a 360-degree spin in which power was gained for an imminent attack on the opponent. Anakin and Obi-Wan can be seen using jung ma during their battle on Mustafar. Obi-Wan performed the maneuver again years later moments before he disappeared and became one with the Force during a battle with Darth Vader on the Death Star.

Kai-kan
Not a maneuver per se, the kai-kan was a re-enactment of a famous, usually ancient, very dangerous, lightsaber or even sword battle, which only very well trained Jedi attempted to perform.

Sai
A sai was a jump used by Jedi to evade an attack directed at the legs. The Force was the main backbone of the strength, height, and speed at which the jump was executed. The Jedi could then strike downwards, using the fall as a fulcrum for more power. Known uses of it include by Luke Skywalker against Darth Vader during the Battle of Endor, by Anakin Skywalker against Count Dooku at the Battle of Geonosis, Obi-Wan against Anakin in their lightsaber fight on Mustafar on the connecting end of the collection arm and by Mace Windu against Darth Sidious. However, this maneuver is used many times by Jedi Knights all over the galaxy.

Shun
A shun was a 360-degree turn performed with just a one-handed grip, thus gaining speed for an attack. Darth Vader uses this technique when he spins during the second part of his ill-fated fight with Obi-Wan Kenobi on Mustafar.

Flowing water
The Flowing Water cut was a lightsaber combat technique designed for going blade-to-blade with one's opponent, based on the principle of using the space created when the opponent withdrew their lightsaber offensively to one's own advantage. As the opponent pulled their lightsaber back from a bind, the user would follow it with their blade, in effect causing the opponent to pull the user's blade into themselves.

Falling leaf
The Falling Leaf cut was an ancient lightsaber combat technique that involved spinning on one's feet to "slash from the sky". It might be related to the jung ma and shun techniques. The basic maneuver involved the user spinning and making a fast slash at an opponent standing behind them and then return to face the way they were before the maneuver.

Alter damage
Alter Damage was not a combat maneuver, but rather a rare Force power by which the Jedi could inflict minimal damage with an otherwise lethal cut or stab. This was used to pacify enemies without killing them or injuring them lethally.

Saber barrier
Saber barrier was a defensive telekinetic lightsaber combat technique. Designed for dual saber combat, it created a barrier of lightsaber blades by having the lightsabers spin around the saber-wielding Jedi. Kreia used this power against the Jedi Exile in the Trayus Academy on Malachor V, and the Dark Jedi Alora may have used it years later against Jaden Korr. Mace Windu also mastered this technique.

Saber throw
Saber throw was an offensive usage of the lightsaber, combining Force Push and Force Pull allowing the Jedi to throw their lightsaber at targets in a boomerang-like fashion. It was a common Force power, as it was a good long range alternative to the typical short range lightsaber attacks. Darth Vader used the saber throw against Luke Skywalker in their fight on the second Death Star. Since lightsabers switch off when they leave their owners hand, the thrown lightsaber needed to be telekinetically kept on, however, some lightsabers had a special "blade lock" feature.

Spinning attack
The spinning attack technique was a trispzest-based technique, mastered by Maw. It consisted in the trispzest-user spinning wildly in the air while lashing out to all sides with the lightsaber, and was highly effective against multiple opponents. Jedi Grandmaster Yoda used it against Darth Tyranus during their duel on Geonosis. Yoda once again used this technique to battle Darth Sidious in the Senate chamber on Coruscant, though the skills of the Emperor as a duelist were too great to overcome by this magnificent move.

Physical Combat
For a style and method of fighting as focused on grace and precision as lightsaber combat, duelists resorted to physical contact with astonishing regularity.


 * Darth Maul kicked Obi-Wan Kenobi and Qui-Gon Jinn several times during their two-on-one duel in the Theed reactor core on Naboo. Qui-Gon returned the favor by back-hand slapping Maul in the face and knocking him off a platform in the reactor shaft.
 * During the Battle of Geonosis, several Jedi were seen kicking down battle droids.
 * In their duel onboard the Invisible Hand, Count Dooku kicked Anakin Skywalker back just before Force-gripping and hurling Obi-Wan Kenobi across the room. Skywalker returned the favor seconds later by kicking Dooku off the balcony they were dueling on.
 * Obi-Wan Kenobi kicked General Grievous in the shin during the last stage of their fight on Utapau (with disastrous results, since he kicked the metal armor on Grievous's body). Grievous also resorted to brawling, denting the landing platform-and his own ship-with missed blows and kicks. However, he still managed to score some hits on Kenobi, literally sending him flying.
 * At the Battle of Dantooine, upon losing his lightsaber, Mace Windu battles a group of B2 Super Battle Droids via a fierce onslaught of melee attacks and the force until he recovered his lightsaber.
 * Kit Fisto was considered a martial arts hurricane when it came to fighting opponents in the Clone Wars.
 * Mace Windu kicked Palpatine in the face during the duel in Palpatine's office, causing Palpatine to fall backwards and drop his lightsaber.
 * During their Duel on Mustafar, Obi-Wan Kenobi and Darth Vader both lost their lightsabers, causing the duel to briefly degenerate into a brawl, before Kenobi managed to reclaim his lightsaber. Later, as they approached the door from the control room or the facility to a balcony outside, Kenobi kicked Vader in the hip to give himself a moment to regain his composure. The Sith Lord returned the favor a moment later, kicking Kenobi hard in the face as he drove him back to the edge of the balcony. Also Vader choked Obi-Wan while squeezing his wrist.
 * Luke Skywalker kicked Darth Vader down a staircase in the Emperor's throne room during their final lightsaber duel.
 * The duel between Mara Jade Skywalker and Jacen Solo reverted into a vicious bout of strength between the two, as their location prevented both from adequately using their lightsabers.
 * The duel between Luke Skywalker and Darth Caedus onboard the Anakin Solo also degenerated into a violent brawl.

Jedi Trials - Trial of skill
Lightsaber combat was the base point for a Jedi in the (traditional) Trial of Skill. To pass as a Jedi Knight, a Padawan must show the following:


 * They must know all the forms (not to perform), all the maneuvers, marks of contact etc (and perform these) of basic lightsaber combat.


 * They must be able to perform basic Shii-Cho


 * They must show they can use the Force to aid their combat


 * They must go through a series of obstacles, often devised by the master for a personal-course designed to test the Jedi's weaknesses and skills using the Force, their skills and prowess, and their lightsaber.


 * They must prove themselves worthy by proving in combat that they know at least 1 main form to a very advanced degree and tested to a Jedi standard in a variety of ways and show that they have the skill.


 * Must be able to use Saber throw efficiently and effectively.

Behind the scenes



 * Peter Diamond created the original trilogy lightsaber choreographies. It was based by a bit of Kendo and fencing. It was Peter who thought about how to hold the lightsaber by two hands.


 * During the prequel trilogy, Nick Gillard was the swordmaster and instructed Liam Neeson, Ewan McGregor, Hayden Christensen and the other on-screen duelists through their battle scenes. This in turn would lead to the creation of the Jedi blademaster Cin Drallig, named after Gillard.


 * In behind the scenes of TPM - "Prime of the Jedi", Nick Gillard says, "I wrote them very much like a game of chess played at a thousand miles an hour. And every single move is check."


 * Nick Gillard developed a ranking system for the level of skill and power of each major lightsaber fighter in the Prequel Trilogy to choreograph action-packed sequences in Revenge of the Sith. The fighting prowess of each of the characters were ranked against other Jedi on a scale of 1 to 10. "Obi-Wan is at a level 8, which is where Anakin starts. But Anakin jumps to level 9 -- and the difference between 8 and 9 is enormous. A Jedi can get to level 9, but that's the difference between light and dark. The duel actually gives you quite an idea about these characters, because Anakin has learned the fighting, he's enormously talented -- but he hasn't learned the mental side of it. Knowing all of that from a story standpoint was enormously helpful in choreographing the sequence," Gillard says. The specifics of this ranking system remains unknown.


 * Due to his age and consequent lack of mobility, Christopher Lee was replaced by stunt double Kyle Rowling for Count Dooku's more complex dueling shots. However, Lee was able to perform some of the moves, particularly during the close-up shots. This explains Dooku's characteristic use of Makashi in the lightsaber duels.


 * In Star Wars Episode III: Revenge of the Sith, George Lucas had Ian McDiarmid do most of the close-up shots during his fight between Mace Windu, but doubles were called in for some of the faster wide shots. The same was done for Samuel L. Jackson as well. However when Ian and Sam came in later in the day to film the close up shots, they chose to do the scenes themselves, and had to learn all the choreography in an afternoon.


 * The Fast, Medium, and Strong styles were introduced as different lightsaber fighting modes in the computer game Star Wars: Jedi Knight II: Jedi Outcast. The player, in the form of Kyle Katarn, acquires the styles as the game progresses. They also appear in the sequel Star Wars: Jedi Knight: Jedi Academy. In the training mission of the sequel game, Katarn tells Korr and Rosh about the advantages of being able to switch between multiple fighting styles. In both games, the styles are described in an encyclopedic fashion upon acquisition. However these may simply be game mechanics.

Appearances

 * Star Wars: The Rise and Fall of Darth Vader
 * Star Wars Episode I: The Phantom Menace junior novel
 * LEGO Star Wars: The Video Game
 * LEGO Star Wars: The Complete Saga
 * Star Wars: Battlefront
 * Star Wars: Jedi Starfighter
 * Star Wars Episode II: Attack of the Clones junior novel
 * Star Wars: The Clone Wars video game
 * Star Wars: Battlefront II
 * Star Wars Episode III: Revenge of the Sith junior novel
 * Coruscant Nights I: Jedi Twilight
 * The Last of the Jedi: A Tangled Web
 * The Last of the Jedi: Return of the Dark Side
 * The Last of the Jedi: Secret Weapon
 * The Last of the Jedi: Against the Empire
 * The Last of the Jedi: Master of Deception
 * Star Wars Episode IV: A New Hope
 * Star Wars Episode IV: A New Hope junior novel
 * LEGO Star Wars II: The Original Trilogy
 * Star Wars: Rogue Squadron III: Rebel Strike
 * Star Wars Episode V: The Empire Strikes Back
 * Star Wars Episode V: The Empire Strikes Back junior novel
 * Star Wars Episode VI: Return of the Jedi
 * Star Wars Episode VI: Return of the Jedi junior novel
 * X-wing: The Krytos Trap
 * X-wing: The Bacta War