Star Wars Episode III: Revenge of the Sith (soundtrack)

The Star Wars: Episode III Revenge of the Sith soundtrack was released by Sony Classical on May 3, 2005, more than two weeks before the release of the film. The music was composed and conducted by John Williams and performed by the London Symphony Orchestra and London Voices. A music video titled A Hero Falls was created for one of the film's theme, Battle of the Heroes, featuring footage from the film.

The soundtrack also came with a collectors' DVD, Star Wars: A Musical Journey, at no additional cost. The DVD featured sixteen music videos set to remastered selections of music from all six film scores, set chronologically through the saga.

This album was chosen as one of Amazon.com's Top 100 Editor's Picks of 2005 (#83).

Like most John Williams releases, the album soundtrack does not present the entire score. Instead, it presents highlights from the score edited together in a concert suite-like program, presenting a musical story over the course of the album.

Album track list

 * 1) Star Wars And The Revenge Of The Sith – 7:31
 * 2) Anakin's Dream – 4:46
 * 3) Battle of the Heroes – 3:42
 * 4) Anakin's Betrayal – 4:03
 * 5) General Grievous – 4:07
 * 6) Palpatine's Teachings – 5:25
 * 7) Grievous And The Droids – 3:27
 * 8) Padmé's Ruminations - 3:16
 * 9) Anakin Vs. Obi-Wan – 3:57
 * 10) Anakin's Dark Deeds – 4:05
 * 11) Enter Lord Vader – 4:14
 * 12) The Immolation Scene – 2:41
 * 13) Grievous Speaks To Lord Sidious – 2:49
 * 14) The Birth Of The Twins And Padmé's Destiny – 3:37
 * 15) A New Hope And End Credits – 13:05

Total Time: 72:09

Star Wars and the Revenge of the Sith
The track starts off with the main theme. Although the previous films, and indeed, Episode III, had a quieter descend into the next piece, here, earlier than previous films, the music continues when we first see Anakin and Obi-Wan flying Jedi Interceptors above Coruscant'. Then it follows through a duo of trumpet solis and then through a series of softer melodies. Eventually the track leads into a version of General Grievous' theme. After this, it continues to a unused que not in the film during The Elevator Scene.

Anakin's Dream
The track plays during Anakin Skywalker and Padmé Amidala's scenes at her apartment, Anakin's nightmare, and the following scene on Amidala's veranda. A statement of Across the Stars appears at 00:26, and again at 02:27, while brief portions of the Force Theme are heard from 03:33

Battle of the Heroes
This track starts to play after Obi-Wan and Anakin are caught in a collapsing control arm on Mustafar and ends when Obi-Wan leaves Anakin on the edge of the lava river. This is actually a Concert Suite of the Theme.

Anakin's Betrayal
This track, a sorrowful adagio representing the fall of the Jedi, underscores the Order 66 sequence, and is reprised when Anakin Skywalker confronts his wife shortly before the Duel on Mustafar. It shares a similar tone and style to The Immolation Scene.

General Grievous
This track appears several times in the film including during The Battle of Utapau when Obi-wan is searching for Grievous; and at the start of the characters' lightsaber duel. A militaristic version of the Force Theme is heard at 00:38, heralding the arrival of Kenobi on the Tenth Level.

Palpatine's Teachings
The first part of this track plays while Palpatine is telling Anakin the story of his old master, Darth Plagueis. The second part plays when Anakin learns that Palpatine is a Sith Lord.

Grievous And The Droids
This track plays during the bridge fight on the Separatist flag ship, and also when General Grievous escapes after dueling Obi-Wan on Utapau.

Padmé's Ruminations
The cue- a mournful, wailing voice proceeded by a slow string section- underscores the otherwise-silent moment between Anakin Skywalker and Padmé Amidala prior to the duel in the Chancellor's office. The second part of the track plays when Palpatine instructs Anakin to go to the Jedi Temple and kill all the Jedi inside.

Anakin Vs. Obi-Wan
This track plays while Obi-Wan Kenobi and Anakin Skywalker are lightsaber dueling on Mustafar. Some of the track also plays while Yoda and Palpatine are dueling in the underbelly of the Senate Rotunda. As the track starts off, the beat is set by the strings, low brass, and the percussion. The trumpets then come in with a short soli each followed by a cymbal crash. Then the low brass comes in with the theme from Battle of the Heroes. After that a version of The Imperial March is heard followed by the return of Battle of the Heroes. Next a longer version of The Imperial March is heard. Then the rhythm speeds up right before the march returns. After the march Battle of the Heroes returns. It goes through a few different versions before going into a variation of Force Theme.

Anakin's Dark Deeds
This track is played during Anakin Skywalker's attack on the Separatist Council and Palpatine's announcement to the Galactic Senate of his new Galactic Empire and his self-proclamation as Galactic Emperor. It continues as Obi-Wan Kenobi confronts Padmé Amidala about where Anakin has gone, and then discovers that Anakin is the father of her children. It plays until the end of Skywalker's destruction of the Separatist Council.

Enter Lord Vader
The cue plays at the start of Anakin Skywalker's mission to Mustafar, and as Obi-Wan Kenobi and Yoda fight the clone troopers outside the Jedi Temple. A rendition of Anakin's "B-theme", first heard in Episode I, and associated with Shmi's Theme, plays after the opening percussion. A statement of The Imperial March appears at 03:19, as well as a truncated version of the Force Theme at 03:44, followed by The Emperor's Theme.

The Immolation Scene
This track plays directly after the Duel on Mustafar. When Darth Vader is defeated on Mustafar and burnt alive.

Grievous Speaks To Lord Sidious
This track plays while General Grievous talks to Darth Sidious and when Padmé leaves Coruscant to go to Mustafar.

The Birth Of The Twins And Padmé's Destiny
This track plays while Padmé gives birth to Luke Skywalker and Leia Skywalker, and continues through her death and Anakin's rebirth as the mechanized Darth Vader. The second part of the 3:37 track contains an extended version of the "Funeral" cue in the Phantom Menace song The High Council Meeting and Qui-Gon's Funeral.

A New Hope And End Credits
The longest track on the album plays while Luke and Leia are being taken to their future homes and then during the end credits. Here, Leia's theme, Battle of the Heroes, and the Throne Room all play before the finale.

Recording information
John Williams' score to this, the sixth and final film of the Star Wars saga was recorded over five days at Abbey Road Studio with the London Symphony Orchestra and London Voices starting on February 3,2005, with one morning allocated specifically for vocal recording.

Also recorded o­n February 3, Revenge of the Sith DVD Version (Battle of the Heroes, presumably)

The released cue slate (and recording dates) are as follows:

Slate Title Recording Date
 * 1M1 Fox Fanfare (Empire Strikes Back Recording)
 * 1M2 Star Wars Main Theme (The Phantom Menace Recording)
 * 1M3 Boys Into Battle February 12, 2005
 * 1M4 They're Coming Around February 14, 2005
 * 1M4a "Get 'Em, R-2!" February 7, 2005
 * 1M5 The Elevator Scene February 17, 2005
 * 1M6 Count Dooku's Entrance February 14, 2005
 * 1M7 The Death Of Dooku February 2, 2005
 * 2M1 Grievous And The Droids February 9, 2005
 * 2M3 Another Happy Landing February 3, 2005
 * 2M4 Revisiting Padmé February 3, 2005
 * 2M5 Grievous Travels To Palpatine February 3, 2005
 * 2M6 Scenes And Dreams February 12, 2005
 * 2M7 Be Careful Of Your Friend February 13, 2005
 * 3M1 Council Meeting February 14, 2005
 * 3M2 Hold Me February 13, 2005
 * 3M2a Palpatine's TV Set February 7, 2005
 * 3M3 Palpatine's Big Pitch February 9, 2005
 * 3M5 Goodbye Old Friend February 3, 2005
 * 3M6 Going To Utapau February 13, 2005
 * 3M7 Riding The Lizard February 12, 2005
 * 3M8 Obi-Wan Fares [sic] Droids February 12, 2005
 * 4M1x Drawing Swords February 3, 2005
 * 4M1a Good Guys Arrive February 8, 2005
 * 4M3 Palpatine's Seduction February 2, 2005
 * 4M4 Rolling With Grievous February 13, 2005
 * 4M4a Fighting With Grievous February 8, 2005
 * 4M5 Dialogue With Mace February 17, 2005
 * 4M5a Padmé's Ruminations February 8, 2005
 * 4M6 I Am The Senate February 14, 2005
 * 5M1 Palpatine Instructs Anakin February 3, 2005
 * 5M3 Lament February 7, 2005
 * 5M3a Bail's Escape February 14, 2005
 * 5M4 "Swimming, Droids and Yoda Farewell" February 9, 2005
 * 5M5 News Of The Attack February 12, 2005
 * 5M6 Moving Things Along February 9, 2005
 * 5M7 Anakin's Dark Deeds February 3, 2005
 * 6M1 It Can't Be February 17, 2005
 * 6M2 A Moody Trip February 12, 2005
 * 6M3 Padmé's Visit February 2, 2005
 * 6M4 Heroes Collide February 2, 2005
 * 6M5 Duel Of Yoda And Sidious **Choir Only** Not Assigned
 * 6M6 Yoda Falls February 3, 2005
 * 6M7 The Boys Continue February 8, 2005
 * 6M8 Rev. Yoda To Exile February 12, 2005
 * 6M9 Revenge Of The Sith February 3, 2005
 * 7M1 The Immolation Scene February 8, 2005
 * 7M2 Anakin Crawling February 8, 2005
 * 7M3 The Birth Of The Twins February 7, 2005
 * 7M4 The Death Of Padmé February 7, 2005
 * 7M5 Plans For The Twins February 8, 2005
 * 7M6 Padmé's Funeral February 7, 2005
 * 7M7 A Home For The Twins February 7, 2005
 * 7M8 End Credits February 17, 2005

Reports from people involved leaked out onto the internet and descriptions of the recording sessions can be read at JWFan.net.

Differences between the album, film, and initial score
Although riddled with editing, the score presented in the film is different in many respects to what John Williams had intended.

Due to the process George Lucas puts his films through during editing, many scenes were streamlined and music was removed. Also true to form for the prequel trilogy, many scenes contained pre-planned tracked music. Such is the case of "The Tide Turns" from Star Wars Episode I: The Phantom Menace tracked in for the scene when Anakin flies the now crippled Invisible Hand for a crash landing on Coruscant.

"Duel of the Fates" also makes an appearance in the score. This time, however, the choir was re-recorded and layered over the choirless recording from The Phantom Menace.

Also worth noting is that in the recording process, John Williams will record cues multiple times and use those takes to make one edit of the track.

Anyone familiar with the film will note that the music in the opening of the film—after the scroll—starts with only low Taiko Drums ([[Media: Ep3_opening.ogg]]), which continue up until the music is finally tracked in and continue, layered underneath the music. The album recording, however, does not have such prominent percussion and in some cases, has slightly different orchestrations in parts that can be compared—as not all of the Album take is available. The differences stem from changes made during the recording process and from alternate takes of the same cue. The actual landing on the ship contains a partial alternate ending as well not available anywhere except in the film itself.

Worth noting is that the CD also contains alternate versions of some of the battle cues and the unused segment "The Elevator Scene."

Another more memorable cue, Padmé's Ruminations, is different than what is heard on the album both in mixing, and in the vocal performance.

Much of the film contains percussion alternates. "It Can't Be" for example, (album track Anakin's Dark Deeds), has a percussion track in the film missing on the album.

About 95% of the score can be heard in the album and various LucasArts video games but a complete release has yet to be made.

Star Wars: A Musical Journey
Star Wars: A Musical Journey is a bonus DVD included with the soundtrack. The DVD, which runs for just over an hour, contains a collection of music video clip's from the Star Wars films set to selected themes from Williams's scores. The music has been remastered in Dolby 5.1 surround sound It also contains a preview trailer for the video game adaptation of the movie. Each clip features an introduction by actor Ian McDiarmid. The program can be watched with or without this introduction.