User:Menkooro/C-3PO

Quote

Intro

Intro

Intro!

Table of contents!

Trekking the Earth
"I didn’t grow up nursing thoughts of becoming a writer. My first novel emerged from journals I kept in my twenties, during 10 years of world travel. Even after that novel was published I worked as a carpenter for another decade, before turning to full-time writing."

- James Luceno

James Luceno was born in 1947. While growing up, he enjoyed watching war-related television shows and films such as Victory at Sea, Wings, and Air Force. He was an avid reader as a teenager, but at one point failed a High school English course. Luceno's life was strongly influenced by such authors as Thomas Pynchon, Ian Fleming, Carlos Castaneda, and Erich von Däniken, the latter three of whom helped set him on the path of adventure travel. Luceno spent ten years traveling the world while in his twenties, and has cited Fleming's James Bond novels as being responsible for several tight spots he found himself in during that time. He read several of Pynchon's books during his travels, which, although he enjoyed them, would often take him weeks or months to finish. Luceno was so overwhelmed by his traveling experiences that he kept journals, but he did not harness dreams of becoming a writer at the time. When he returned home, he worked as a carpenter, the same profession as his father, for a decade. He also made ends meet by working as a General contractor, Astrologer, Travel scout, and Rock musician. Luceno was in various rock and roll bands that played at different spots around Bergen County, New Jersey.

While living in Englewood, New Jersey, Luceno met Brian Daley, a young man who had just returned to the United States from Vietnam after serving in the military during the Vietnam War. Daley lived in Jersey City and was attending Jersey City State College there, and both he and Luceno were finishing their first novels at the time. The two became close friends, and in 1977, they attended the premiere of a film called Star Wars. There was very little buildup to the movie in the media, and neither Luceno nor Daley knew what to expect. After getting drunk on tequila at a strip mall on New Jersey's Route 4, the two made their way to the parking lot of a cineplex in Luceno's Chevy. According to Luceno, both of them "had their minds blown" within the film's first five minutes, and left the premiere thrilled at what they had seen as a rousing science fiction adventure. Daley felt that science fiction would never be the same.

Luceno's novel, entitled Head Hunters, was inspired by the journal he kept while traveling the world and was published in 1980. It was an action-adventure novel about three Americans in South America on an adventure involving four kilograms of cocaine. Luceno soon began traveling again, this time with Daley at his side, who was himself fond of embarking on adventures across the globe. The two journeyed to such places as Nepal, Thailand, Peru, and the jungles of Central and South America. In the early 1980s, they spent five weeks hiking in the Himalayas. When they afterward returned to Kathmandu, Nepal, Daley hunted down a Bootleg copy of Return of the Jedi, the second sequel to Star Wars. The film had only been in theatres for a short time, and Luceno and Daley screened it for the Sherpas that they had hired for their trek. Daley had been contracted to write The Han Solo Adventures, three novels based on the early life of the Star Wars character Han Solo, and was plotting the books during the travels. He used Luceno as a sounding board, and the two tossed ideas back and forth as Daley was writing the novels' outlines. Daley had also been contracted to write the first two Star Wars audio dramas, which were radio dramas based on Star Wars and its first sequel, The Empire Striks Back. They respectively aired in 1981 and 1983, and Luceno was a sounding board for these as well, helping Daley refine ideas as they were scripted.

In the mid-1980s, Luceno was married with at least one son, of whom Daley was the Godfather. Shortly after returning to the United States, Daley persuaded Luceno to try his hand atscriptwriting. The two were eventually hired by Robert Mandell to write for an animated series Mandell had created called The Adventures of the Galaxy Rangers. Galaxy Rangers was an episodic series about human pioneers preserving law and order across the galactic frontier and was one of the earliest television series done in the style of a Space Western. Working together, Luceno and Daley wrote about fourteen scripts for the show. Galaxy Rangers began airing its sixty-five half-hour episodes five days a week in September 1986, but was not renewed for a second season due to the lack of an arrangement with any toy companies. Toy companies were the primary advertisers on cartoons in the 1980s, and, as Galaxy Rangers had never succeeded in the toy market, it did not produce enough ad revenue to support any additional seasons. Luceno and the rest of the show's writers were disappointed, as they felt that its premise was innovative and new. Galaxy Rangers developed a cult following after its cancellation and was eventually released on DVD in 2008.

Writing Robotech
"I was immediately drawn into it, and I was thrilled at the chance&mdash;Brian was too&mdash;thrilled at the chance of adapting it."

- Luceno, describing when he became familiar with the storyline of the Robotech cartoon series

Following the cancellation of Galaxy Rangers, Luceno was living in New York. He and Daley were contacted by Risa Kessler, who was in charge of all licensed properties associated with Ballantine Books. The television production company Harmony Gold had approached her about adapting their cartoon series Robotech into novel form; she was familiar with Luceno and Daley's work on Galaxy Rangers and knew that they were good friends. Robotech had begun its life as three separate anime programs in Japan&mdash;The Super Dimension Fortress Macross, Super Dimension Cavalry Southern Cross, and Genesis Climber MOSPEADA&mdash;that were merged into one series, given an overarching plotline, and developed for American TV by Television producer Carl Macek. Luceno had seen several episodes on a local New York television station, but had been unable to follow the plot due to their having not been aired in chronological order. Whe Macek sent him a reference book complete with synopses of all of the episodes, Luceno found himself quickly drawn into the story. He and Daley were both excited at the chance to adapt it.

Luceno and Daley were flown to California to discuss plans for their Robotech adaptation. There, they were shown every episode of the show, given background on the series, and told by Harmony Gold what the company wanted in the novels. They spoke extensively with Macek and were eventually contracted to write four books which would adapt the TV series into the printed form. Upon leaving California, they were given VHS tapes and scripts of the episodes, as well as art books, comics, and toys. After their return to New York, Luceno and Daley both frequently communicated with Macek by telephone, and Luceno attended several ToyFare conventions with Macek to discuss the series and what approach he and Daley should take. The two authors were under a tight schedule to produce four novels in under one year, and shortly into their time writing, Harmony Gold asked Ballantine to extend the series into twelve books. Luceno and Daley were faced with the challenge of writing twelve books in approximately eight months.

Both men had moved to Maryland by this time. They watched the entire series and then broke its storyline down into twelve parts. Writing duties were split up so that Daley would write the odd-numbered books in the series and Luceno the even; however, both authors would send their work to the other after its completion, where it would be proofread, edited, and have some parts rewritten. Luceno and Daley had very different writing styles and hoped to find a singular voice. One would often contribute an entire chapter or two to the other's book. Unlike Daley, Luceno had no background in science fiction save for his work on Galaxy Rangers, and was always eager to receive Daley's manuscripts in order to get tips on writing battle scenes and using science fiction buzzwords. One of their goals with the series, that had been requested by and supported by Macek, was to expand upon what had been presented in the television series and go into added detail. They hoped that it would add a sense of depth and verisimilitude. One of Robotech key elements was the use of Human-operated Mecha machines, and Luceno and Daley introduced the idea of virtual-interface "thinking caps" being required to reconfigure a Mecha. They hoped to make the series more epic. In that light, they also included homages to ancient Greek stories and classic science fiction such as Frank Herbert's Dune.

Although Luceno did not have a science fiction background and had only written one novel at the time, Daley had a reputation in science fiction and was working on a book trilogy that was set to be released around the same time as the Robotech novels. As he had already written The Han Solo Adventures, he did not want fans to get the impression that he was predominantly a tie-in author. He and Luceno were also unsure how much the books would be edited by Ballantine or Harmony Gold. As such, they chose to write their Robotech novels under the pseudonym Jack McKinney. Jack McKinney was a close friend of Luceno's father and a carpenter whose toolbox Luceno had used during his carpentry days. A character with the same name had been in Head Hunters, and had been referenced by Daley in the novel The Doomfarers of Coramonde as a nod to his friend (Luceno also mentioned a character from Doomfarers in Head Hunters). Luceno had no reputation to protect and was fine with the idea of using a pseudonym.

The twelve Robotech novels were published in paperback from February 12 to November 12, 1987. Every installment became a bestseller, which surprised Luceno, who hadn't been aware that Robotech had such a strong and widespread fanbase. Both he and Daley had a good deal of fun writing the books, and Luceno sees the time as one of the most important of his life. In 2007, he reflected that without Robotech, he would likely still be a carpenter. Collaborating with Daley was particularly enjoyable for him; he learned much about science fiction and writing in general from his friend and mentor.

The epic continues
"When Carl handed me the book, he prefaced it by saying 'You can pretty much throw this out.' I mean, I thought it was&mdash;I thought it was&hellip; there was a lot of genius in it. (&hellip;) Brian and I ended up running with a lot of it. (&hellip;) because it, we just thought it was just so wild."

- Luceno, reflecting on the initial story treatments of The Sentinels that he and Daley received from Carl Macek

The strong sales of the Robotech novels and the success of the television show convinced Harmony Gold and their financial partners to greenlight a sequel TV series called The Sentinels. Luceno and Daley were contacted in early 1987 and asked if they were interested in writing further adaptations. They arrived in California at a time when Carl Macek was attempting to secure finances for The Sentinels; Macek's inability to secure the backing of toy companies coupled with legal problems concerning the use of certain characters from the original Japanese programming had left him frustrated. He gave Luceno and Daley a storybook that included sixty-five hastily written story treatments he had conceived for the benefit of toy companies, and told the two that they should discard most of it. Luceno and Daley liked much of what they saw, however, and ended up including many of Macek's ideas in the five books that they were contracted to write. After familiarizing themselves with Macek's material, Luceno and Daley wrote expanded story treatments and broke them down into five novels. The process took longer than their previous endeavor had due to the limited source material to draw from, and they felt slightly rushed during the process. Luceno wrote three of the novels and Daley two. Both authors made a conscious effort to introduce more adult themes in the books&mdash;the first twelve novels had been intended for young adult readers, but when it became clear that college-aged people were reading them, Luceno and Daley began to inject more adult content into their works.

The five novels of The Sentinels were published throughout 1988. It eventually became clear that the cartoon was not going to be produced, but the continually strong sales of the novels led Macek, Harmony Gold, and Ballantine to desire an ending for the series. Macek had originally envisioned a 365-episode epic, but the task of concluding Robotech fell to Luceno, Daley, and one final book. Luceno was wary of writing it with no source material to draw on, but was told by Macek that it was a chance for he and Daley to tell the story that they wanted to tell. Macek was disenfranchised with Robotech at the time and had moved onto other projects, which left Luceno and Daley with only their own ideas of how the series should end. Luceno wrote an outline of the novel which was then tweaked by both him and Daley, and then went on to write the first half of the book before Daley wrote the second half. One of the few ideas Macek had given them concerned the ending, but Daley took it in a different direction than Macek had suggested. The End of the Circle was published in 1989.

Although all eighteen of Luceno and Daley's Robotech novels yielded strong sales, reception to them was considerably mixed within the series' very passionate and vocal fanbase. The authors received a good deal of criticism for giving villainous traits to the character of Anatole Leonard, the Supreme Commander of the Army of the Southern Cross military organization, and received hate mail that included copies of the books cut up into dozens of pieces after they killed the character of Breetai, the second-in-command of the militaristic Zentradi forces. Many fans disagreed with the manner in which The End of the Circle concluded, and criticized some of the expansion that Luceno and Daley had given on the material from the TV series, such as the "thinking caps" they had created. A large group of fans refused to accept the novels as being part of Robotech canon, feeling that Luceno and Daley had tied everything together too neatly. An equally large group were very taken with the novels, however, and dubbed their interlocutors "McKinney haters." Luceno was shocked at some of the wrath that was directed toward him, and in the early days of the internet, he communicated with various fans on an electronic mailing list in an effort to shed some light on why he and Daley made the decisions that they did. Many of the fans found him to be very articulate and polite, and had enjoyable interactions with him. The vocalness of the "McKinney haters" had quieted somewhat by 2007, when in a poll on Robotech.com, less than four percent of the 5,000 voters indicated that they disliked the novels.

In the late 1980s and early 1990s, Luceno additionally wrote several novels under his own name. Rio Passion, Rainchaser, Rock Bottom, A Fearful Symmetry, and Illegal Alien and were published between 1988 and 1990 by Ballantine. The latter two were science fiction novels, and A Fearful Symmetry was nominated for the 1989 Philip K. Dick Award, a prize given annually by the Philadelphia Science Fiction Society to original sci-fi paperbacks. Rio Passion, Rainchaser, and Rock Bottom formed The Matt Terry Series,  and were what Luceno calls "mainstream adventure fare, set in exotic locations and heavy on mystery and intrigue." After having heard and embarked on many adventures during his world travels, Luceno structured The Matt Terry series on some of the events that he had either been in or been told about. Following Rock Bottom publication, Luceno began to write science fiction full-time, partly due to encouragement by Daley.

With eighteen best-selling novels to his name, Jack McKinney had developed a large following in the Science Fiction community. A magazine published by the book retailer Barnes & Noble around the time that the first Robotech novels were being published had revealed his secret identity, but most fans had not seen it and were wondering just who McKinney was, unaware that the name was a pseudonym. Luceno and Daley accordingly decided to keep McKinney going, and wrote a novel called Kaduna Memories that was published in 1990. They also penned a series called The Black Hole Travel Agency that spawned four books published over 1991, 1992, and 1993. The novels were comic science fiction fare set in the near-future and involved aliens coming to Earth. Luceno and Daley intended for them to be light-hearted material and were hoping to make readers laugh. None of the installments of The Black Hole Travel Agency sold very well, and Luceno believed it to be due to a combination of poor marketing and terrible book covers. The novels were enjoyed by those who did read them, and years later, Luceno reflected that their premise and tone were very similar to those of the 1998 film Men In Black.

Although the Robotech saga had concluded, the strong sales of all eighteen volumes and the comic series prompted Ballantine to ask Luceno and Daley if they thought that there was any more material with which they could further stories. The two were grateful for the opportunity, and wrote three more books that took place during the events of their original twelve novels. The Zendraedi Rebellion, The Master's Gambit, and Before the Invid Storm were respectively published in 1994, 1995, and 1996, and were the final literary efforts of Jack McKinney. Luceno has referred to the latter two novels as essentially footnotes, but nevertheless believes that they have their own place within the overarching saga. He attributed an epigraph in the final volume to Peter Walker, a Robotech fan that he had had positive interactions with on the electronic mailing list.

Loss of a friend
"Brian and I were both very realistic about how the world works, and during the final months of his life, we had several conversations about what it means to live and to die. Because we had logged so many miles together&mdash;in the real and imagined worlds&mdash;I told him I wasn't comfortable with his going on an adventure without me&mdash;especially to a realm where all the available guide books contradict themselves about just what a traveler can expect to find. And Brian joked that he understood my concerns and would certainly try to contact me, assuming he could find a working phone or the appropriate postage for the kind of communication we had in mind. Just one of those conversations lifelong friends have to ease the pain."

- Luceno, reflecting on his final months with Brian Daley

In addition to working on The Black Hole Travel Agency, Luceno wrote several more novels under his own name in the early 1990s. 1992 saw him contracted to write a tie-in novel to the The Young Indiana Jones Chronicles, a television show airing at the time produced by Lucasfilm Ltd. that was based on the popular Indiana Jones films. The show was based around famous historical characters and events, and Lucasfilm wanted Luceno's novel to be as accurate as possible. As such, they required him to cite all of the sources he used while doing research on the book's World War I setting. The Young Indiana Jones Chronicles: The Mata Hari Affair was published in 1992. The science fiction novel The Big Empty was released in 1993, and in 1994, Luceno penned the novelization of the film The Shadow. He was living in Annapolis, Maryland at the time, but was frequently traveling to locations south of the Mexico – United States border; in 1994, he and Daley visited Guatemala with their friend Chris Barbieri.

Marking his second venture into screenwriting, Luceno penned two scripts for the animated television series Princess Gwenevere and the Jewel Riders around this time. The show was loosely based on the character of Guinevere from Arthurian myth, and featured the title character riding Unicorns and shooting rainbows. The episodes Wizard's Peak and The Wizard of Gardenia aired in 1995 and 1996, respectively. 1996 also brought another tie-in opportunity for Luceno when he was contracted to write a novel related to Mission: Impossible, a film set to be released that year. Author Randall Boyll penned the film's novelization, and Luceno wrote an accompanying book called The Aztec Imperative, a project that required him to research and pay close attention to the original Mission: Impossible television series. Both books were published, but Tom Cruise, the lead actor and a producer of the film, ultimately decided to take the film in a different direction and to not use the novelization or any of the tie-ins that he had commissioned to help support the movie.

The year also brought tragedy to Luceno's life. Brian Daley had recently been diagnosed with pancreatic cancer, and Luceno was by his side much of the time during the final months of his life. The two reflected fondly on their time together traveling the world and writing novels together, and had several conversations regarding the nature of life and death. Daley passed away on February 11, 1996. Luceno, along with Daley's partner Lucia St. Clair Robson, posted a notice of his death on his official website, and messages of consolation immediately began to pour in from across the world. Luceno took a solo trip to the archaeological site of the ancient Mayan city of Calakmul, in Guatemala, which he and Daley had hoped to one day hike to, and scattered some of Daley's ashes on the site. He later wrote a memoir about the trip.

Prior to 1996, Daley had been working for more than a decade on a book series called Gamma L.A.W. that had been conceived during his trek through the Himalayas with Luceno. The manuscripts of the novels were nearly finished, and Luceno, fulfilling a promise he had made to Daley during his friend's final months, took on the task of completing them after Daley's passing. With the encouragement of his family, he set to work editing the 1,600-page manuscript. It proved to be a very tough challenge for Luceno, who had to search through hundreds of notes and newspaper clippings in order to grasp the technical knowledge that his friend possessed on the books' military science fiction theme. Daley's home had been filled with stacks of loose papers and floppy disks that contained notes on his fiction&mdash;in the words of St. Clair Robson, "he had footnotes on the footnotes." In completing and editing the manuscripts, Luceno put his own writing style aside in order to defer to Daley's. Despite the immensity of the task, he downplayed his own role and attributed the majority of the credit to Daley. The four books of the Gamma L.A.W series were published from November 1997 to March 1999.

Crafting the future
"They first hired me sort of as a consultant, to come over and supervise&hellip; sort of the construction and the detailing of this new series, and at the time, I thought that my involvement was going to be limited to that."

- Luceno on his original role in The New Jedi Order

In 1998, Luceno wrote the novelization of The Mask of Zorro. The film's producers were very supportive of him throughout the writing process, and brought him onto the movie set in an effort to help him better grasp the historical period that the story was set in. Shortly afterward, Luceno was contacted by Del Rey books and invited to participate in an upcoming project of the Star Wars Expanded Universe. Del Rey were a division of Ballantine and had recently acquired the license to publish Star Wars books from Bantam Spectra; their editors were aware of Luceno's work in the Robotech franchise and hired him as a consultant to help oversee a planned twenty-one book series called The New Jedi Order. The Star Wars novels published by Bantam had largely been standalone stories or trilogies not written or published in chronological order, which was a source of confusion for many fans. Additionally, new authors had found it difficult to maintain consistent character development of the Star Warriors. As such, when Del Rey acquired the license, they plotted with their partners in Lucas Licensing to create an ongoing series published chronologically under a single imprint that would feature new threats to the galaxy and a new generation of characters to join the heroes of the original Star Wars trilogy. Luceno was brought into the project due to his experience overseeing and co-writing the multibook Robotech saga.

Luceno attended several planning sessions for the series in 1999 that were held at Skywalker Ranch, the San Francisco headquarters of Lucasfilm. Also at the meetings were Lucas Licensing Executive Editor Sue Rostoni, Del Rey Editor at Large Shelly Shapiro, Lucasfilm Director of Publishing Lucy Autrey Wilson, Dark Horse Comics Vice President of Publishing Randy Stradley, some of Dark Horse's comic writers, and several authors who had already been hired to write installments of The New Jedi Order. Ideas for the series were floated at the meetings, and the basic storyline was developed, as were the series' primary villains: The extra-galactic species of bloodthirsty religious zealots known as the Yuuzhan Vong. Shapiro believed that the Bantam novels had developed a feeling of stagnation where nothing significant happened to the primary characters, and felt that Star Wars had lost the edge of realism and tension that had been present in the original trilogy. Accordingly, the idea to have the Yuuzhan Vong kill a major character in the opening volume of the series was floated, and the decision was made for the Wookiee Chewbacca, a popular character who had played prominent roles in all three original Star Wars films, to die.

For the sake of character development and growth, Lucasfilm and Del Rey wanted to maintain control over the development of the series, and assigned Luceno the task of drafting and refining The New Jed Order original outline, which broke the long story arc down author-by-author. It was then submitted for approval to George Lucas, the creator of Star Wars, who approved most of it but objected to some elements. Luceno also wrote a "series bible" to coordinate continuity and, along with author Daniel Wallace, expanded the map of the Star Wars galaxy. Additionally, every manuscript that was submitted by an author was read and commented on by Luceno. He thought that his role in The New Jedi Order was going to be limited to that of a coordinator, as it was up in the air whether or not he would be contributing any books. Eventually, he was contracted to write the fifth novel in the series, which was set to be a paperback novel called Agents of Chaos. Renowned fantasy author R. A. Salvatore wrote 1999's Vector Prime, the opening novel of The New Jedi Order, and veteran Star Wars author Michael A. Stackpole was contracted to write the next three novels, a trilogy called Dark Tide. Changes made to The New Jedi Order storyline necessitated that Dark Tide be shortened to a duology, however, and Agents of Chaos was accordingly expanded into two paperbacks.

Writing a tribute
"I really felt like Brian was sitting on my shoulder and helping me along there. Brian was in many ways a mentor for me&hellip; I was really glad for the opportunity to pay him a tribute like that."

- Luceno, on writing Hero's Trial The New Jedi Order was designed to yield one hardcover novel and four paperbacks every year for four years, with important events occurring only in the hardcovers while the paperbacks dealt with subplots and side stories. When Shapiro and Rostoni read the manuscript of Stackpole's Dark Tide I: Onslaught, however, they realized that every volume of the series would be vital to The New Jedi Order main storyline. Luceno was thus tasked with writing about the character of Han Solo, one of the three primary characters of the original Star Wars trilogy. Solo and Chewbacca had been best friends within the Star Wars universe for decades, and Luceno's job was to tell the tale of Solo finding himself while overcoming the grief he felt at the death of his friend. Shapiro believed that many of Bantam's authors had not known what to do with Han in their novels, which had resulted in character stagnation; Luceno was eager for the chance to develop the character throughout something more than a simple rousing adventure. He hoped to take Solo through a heroic journey reminiscent of the original Star Wars trilogy. He was also pleased at the chance to write an homage to Daley, who had written some of the Expanded Universe's first Han Solo adventures.

Hero's Trial, the first volume of the Agents of Chaos Duology, featured Solo re-encountering many of the characters that he had met in Daley's novels. Luceno wrote the novel with the goal of producing a tribute to Daley and a "Han Solo, this your life" novel, and claims to have felt Daley's presence over his shoulder while he wrote it. He found a sweet-and-sour irony in his writing subject, as he had shared a twenty-plus-year friendship with Daley that he saw as akin to the friendship of Solo and Chewbacca. As he had been with The New Jedi Order since its inception, Luceno did not find it difficult to drop into a writing role, but he did spend a good deal of time learning the rules and regulations of the Star Wars franchise, even after having read many of the Bantam novels in the 1990s. In writing about Solo's grief, his aim was to approach it in a very adult way and to push Solo away from his wife, Leia Organa Solo. Luceno found that writing an older, isolated, and grief-stricken Solo was a challenge, but he has identified the character as one of his favorite to write, citing his humanness and the fact that he has not been able to grow and evolve in the same way as his Force-using family.

Daley's works were not the only source material that Luceno drew inspiration from while writing Agents of Chaos: Both Hero's Trial and the duology's second installment, Jedi Eclipse, featured a large number of references to and returning characters from various Bantam novels. Many elements of the books were his own creation, including the Ryn species, who were modeled after the Romany people. The Ryn Droma was a major character in the duology and became the co-pilot of Solo's famous starship, the Millennium Falcon, in Jedi Eclipse, as Luceno and The New Jedi Order planning team had been seeking a replacement for Chewbacca. Within Agents of Chaos pages, Solo overcomes his grief by helping Droma find his missing family members, who have been separated from him by the Yuuzhan Vong's ongoing invasion of the galaxy. Organa Solo works to relocate refugees displaced by the conflict, and members of the Yuuzhan Vong Priest caste plot to destroy the Jedi Master Luke Skywalker's Jedi Order. Meanwhile, the galaxy-ruling New Republic fights furiously to repel the invaders. Solo's plotline dominates much of Hero's Trial, but shares roughly equal page time with other stories in Jedi Eclipse.

Hero's Trial was released in paperback and audio cassette on August 1, 2000. Jedi Eclipse was released in the same formats respectively on October 1 and October 3 of the same year. Luceno received mixed reaction to the books, with some of the negative feedback a result of his decision to separate Han and Leia Organa Solo. Both volumes sold very well, however&mdash; every installment of the New Jedi Order drew a sizeable readership and performed strongly on the market, exceeding the expectations of the planning team.

Approach to writing
fan nickname: "The Lucenopedia."

Known for his continuity:

Fascinated by Latin America, a lot of influence in books such as Rio Pasion, A Fearful Symmetry, and some of the ideas behind the Yuuzhan Vong.

Would love to switch over between fiction and non-fiction. After the memoir about scattering Daley's ashes, he wanted to write more nonfiction. A lot of interesting things in the real world he'd love to write about..