Grand Master Yoda. Friedrich Nietzsche. Two names that, at first sight, don’t have nothing to do with each other. The former representing Buddhist, Taoist and Stoicism ideologies, mixed up with Abrahamic credos. The latter being famous for concepts like God is Dead, Apollonian and Dionysian, Ressentiment, Will to Power and the Übermensch. Notwithstanding, beyond the surface, they have more in common than it seems and paralleling them it’s not totally farfetched.
Considering the behemoth of a character that is Yoda, composing a dissertation about him as encompassing as possible under ten thousand words seems unfathomable. But bringing up a cut about a story in which he’s a protagonist seems more reasonable. The story in which this dissertation is based upon is set in the book Yoda: Dark Rendezvous – A Clone Wars novel from the old EU in which both Yoda and Dooku are protagonists, facing each other in a secret meeting.
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For those who’re ignorant or functional illiterates and don’t know how to use the Internet properly, Friedrich Nietzsche is one of the most important names of western philosophy in the modern era. For obvious reasons, his biography won’t be passed here, therefore it is requested for those who are curious to search it online, and for those who have any real interest, to pursue a philosophy degree in your local university. Some clarifications must be made, nonetheless, about misconceptions regarding his philosophy. The most infamous of them all was that he, for a long time, was considered a “Nazi philosopher”, or that his ideas contributed to the siring of the Nazi doctrine. When in fact, his sister, who became responsible for his work and collection, affiliated herself to the party, and they appropriated themselves of his work.
Nevertheless, the Nazi interpretation of Nietzsche has always been incoherent and contradictory because it ignored several criticisms Nietzsche himself made previously. Among them, the antisemitism as a culture of ressentiment and the dangers of the herd mentality. Regardless, Nietzsche can be interpreted (and misinterpreted) in many ways, as well as being appropriated from all different sides of political spectrums (from the far left to the far right). For example, his ideas indirectly contributed later to the feminist thought and LGBTQIA+.

Thereupon, it's only natural that drawing upon Nietzschean ideas to analyse fiction is welcomed, and Star Wars is no exception. Several other characters could be studied through the eyes of Nietzsche - most of them Jedi and Sith indeed – though not limited to them only. Yoda was the character chosen for this thesis, not because of Yoda himself but specifically how he is characterized in the Clone Wars novel that gains his name. In the book, he is a Yoda whose will to power burns as bright as star; whose amor fati is as infinite as the universe; he is a Yoda who, upon facing the tragedy and the inevitability of the end, keeps up fighting. It’s a Yoda who is magnanimous as ever, as complete as he could ever be. And no, nothing in the story contradicts anything it was previously established in the films about his character. If nothing else, is complementary. Nietzsche’s interpretation does not nullify it, only supports and enforces it. The author doesn’t have a final say in the work anyways.
Warning: there will be heavy spoilers about Dark Rendezvous, including full dialogues from the final chapter. Stay at your own risk.
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Apart from the serious character study the novel presents regarding its main characters, a Christian exegesis could be drawn upon this story as a way to encapsulate it (comical considering this analysis is based on Nietzsche): placing the Jedi Master and the Sith Lord as biblical metaphors from famous parables from the Gospels – The Good Shepherd and The Prodigal Son. The ending, however, would be a bleak one. Yoda as the “Good Shepherd” with his huge flock of sheep (the Jedi Order) going after his lost sheep (Dooku) only with faith (the Force) guiding him. And exactly because he is “a good shepherd” – among the greatest of his Order – every sheep matters to him. Even the ones who “got lost voluntarily”.
On the other hand, there is Dooku as the “Prodigal Son”. Among the greatest of his family (Jedi), he leaves home (the Order) and goes out and about around the world, doing whatever he wants (enjoying his wealth) but getting lost in the process (falling to the dark side, causing a war), forever dreading to return home. The twist lies in the fact that Dooku had no intentions to return to the Order. At least not in the surface of his subconsciousness. It is the forgiving figure of Yoda, the “prodigal son’s father”, who teases him and triggers on him the tenuous thought of it by remembering an old promise the Jedi Master did decades earlier: “Tomorrow, go you must, into the darkness between the stars. But home always will this place be. If ever lost you are, look back into this garden. I candle will I light, for you to find your way home.” In the end, Dooku wanted to bait Yoda into a setup, yet it was Yoda who baited Dooku into a setup of his own making (an UNO reverse card, basically). And he almost did it. He was almost there… until he wasn’t.

All in all, to make a summary of the plot summary: Count Dooku sets up a secret meeting with Grand Master Yoda to discuss the end of the war. The invitation is, nonetheless, a bait to lure the old Jedi into a trap, of which he is 100% aware. Regardless, he risks himself anyways - on a leap of faith - that he could “try” to bring back the Count to the light. With this decision and throughout his escorted journey to Vjun, death is brought upon two Jedi Masters (by Ventress), two Padawans are “orphaned” and traumatized, the life of an innocent actor was put at risk, and the con he pulled to deceive the galaxy regarding his whereabouts fell like a house of cards in just a few days, putting the Republic in a hullabaloo of fake news and misinformation about the old Master’s hypothetical death. And on top of all that, Yoda’s [second] face off with the Count was a resounding failure, besides of almost getting him killed.
Essentially, Yoda’s mission could be resumed in two words: total disaster. So why for the Force’s sake would Yoda submit himself into such a thing? Why would he gamble in so high stakes with such a poor hand? Because Yoda, as a good Nietzschean character that he is, understands perhaps better than anyone else, how tragedy is an allegory for life, thus how destiny belongs to the “gods”.
- “Oh yes, young one. Think you I have never felt the touch of the dark? Know you what a soul so great as Yoda can make, in eight hundred years? Many mistakes!” (Stewart Sean, 2004, Star Wars: Yoda: Dark Rendezvous, pgs. 14-15).
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