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For other uses, see Chapter 5.

"You are a Mandalorian no more."
―The Armorer, to Din Djarin[5]

"Chapter 5: Return of the Mandalorian" is the fifth episode of the television series The Book of Boba Fett. The episode was released on January 26, 2022.[1]

Official description[]

An unexpected ally emerges.

Plot summary[]

Fight in the abattoir[]

The episode opens with several Klatooinian butchers working in an abattoir, where animal flesh hangs. The Mandalorian bounty hunter known as Din Djarin strides into the abattoir, walking past several Klatooinian workers. He enters into a makeshift office where he states that he is looking for Kaba Baiz. When one of the Klatooinians asks what makes him thinks he is here, Djarin presents a tracking fob.

When the alien asks why he wants Kaba Baiz, Djarin replies that Baiz owes someone with a lot of money. The alien asks who but Djarin says that his only business is to bring in the target. The same Klatooinian says that if he sees him, he will let him know. However, Djarin replies that he sees him now before presenting a hologram image of Baiz. The Klatooinian denies that he is Kaba Baiz, despite the fact that the hologram is showing his image.

Djarin tells the other Klatooinian butchers that he is going to give them the opportunity to walk out the door, adding that he has no quarrel with them. Baiz replies that the others are not going anywhere and believes that he has the upper hand. Baiz attempts to negotiate with Djarin. Djarin replies that he can either bring him in warm or cold. One of the Klatooinians bites Djarin's hand but the Mandalorian hunter fights him off.

More Klatooinians converge on him but Djarin fights them off as well. The Klatooinians fire blaster bolts but Djarin unsheathes the Darksaber, which he uses to cut down several opponents. During the struggle, Djarin accidentally wounds himself in the leg while pulling the saber from an impaled thug. Two of the Klatooinians attempt to restrain him while Baiz prepares to shoot him. However, Djarin breaks free and uses the Darksaber to cut down his captors. Baiz charges at him while shooting, but Djarin stabs him with a vibro-knife and pins him down to the desk. He then slices Baiz in half with the Darksaber, slicing through the table as well.

One of the Klatooinians runs out into the abattoir. Several Klatooinians gather outside the office as Djarin emerges with Baiz's head in a bag. Djarin tells them that their boss is dead and that he is here to collect on his bounty. He tells the Klatooinians that he has no trouble with any of them. Djarin explains that there is a pile of New Republic credits in there that he has no right to. He offers them the loot if they let him pass. The Klatooinians clear a path for Djarin before heading into the office to claim the credits for themselves. Djarin walks out of the abattoir with a limp.

Djarin's reward[]

Soon after, Din Djarin is found limping through the streets of the large ringworld megastructure, Glavis Ringworld. Still carrying Baiz's head, Djarin enters the turbolift with a Caskadag inside. The lift takes Djarin up a hallway, which leads to a meeting room. An Ishi Tib compliments Djarin for his fast work. Djarin demands his reward and the information that he promised. The Ishi Tib asks why he is rushing business but Djarin insists on getting straight to business.

The Ishi Tib invites Djarin to dine with him and his associates. Djarin asks where is the closest shaft to the sub-strata. The Ishi Tib insists that Djarin sit and feast with them or he will reveal nothing. The Mandalorian replies that he can keep his reward, adding that there is a bounty on Baiz and that if he doesn't give him the information, someone else will. The Ishi Tibe relents and tells Djarin to head down to Kolzoc Alley by the heat vent towers. Djarin sighs and prepares to leave.

The Ishi Tib urges Djarin to sit because he has another job for him. Djarin turns down his offer, telling him to put it on ice. Djarin walks back to the hallway and takes a ride down the turbolift. While on the lift, he briefly examines the Darksaber-induced burn on his left upper thigh. Djarin walks out of the lift down a hallway. He walks under a railway bridge. Djarin activates his built-in scanner. Through the ultraviolet scanner in his helmet, he finds that the walls are lined with several hidden mythosaur markings.

Reunion[]

Following the trail, Djarin enters a hatch which leads down a stairwell beneath Glavis. Following the trail, he encounters the Armorer, who tells the other members of the tribe to tend to him. Paz Vizsla tends to Djarin's leg injury, saying that he did not know if he would see him again. Djarin thanks Vizsla for saving him on Nevarro, as he shudders in pain. Djarin apologizes for the Tribe's sacrifice. Vizsla responds that there are only three of them left. Vizsla applies bacta spray to Djarin's wound and remarks that they will put him back to work soon enough.

The Armorer asks to see the weapon which had caused the wound. Djarin reveals to them the Darksaber. Per her command, Vizsla brings the weapon to the Armorer. Alluding to the ancientness of the blade, the Armorer mocks the Galactic Empire's measly thirty-year existence in comparison to the Mandalorians' ten thousand. The Armorer asks if Djarin knows of the Darksaber and its significance. He recalls its name and that whoever wields it can lead all of Mandalore. The Armorer clarifies that the Darksaber must be won by Creed in battle.

The Armorer tells of a legend where one warrior is to defeat twenty, thereby bringing the multitudes to fall before it. However, she warns, if the saber is not won in combat, and/or falls into the hands of the "undeserving", the Darksaber will become a curse unto the nation—"Mandalore will be laid to waste and its people [will be] scattered to the four winds".

Djarin rises to his feet with difficulty and states that the hilt is of a quality of beskar that he has never seen before. The Armorer explains that the Darksaber was forged over a millennium ago by the Mand'alor Tarre Vizsla. She explains that Tarre was both Mandalorian and Jedi. When Djarin says that he has met a Jedi, the Armorer responds that he has then completed his quest. She invites him to join their covert in order to rebuild. They all state "this is the way." Djarin and Vizsla assemble the smelter. When Vizsla asks where did he come upon the Darksaber, Djarin replies that he defeated Moff Gideon. Vizsla asks if he killed him. Djarin says he didn't, but Gideon was sent off to the New Republic for interrogation where he will face justice for his crimes.

Vizsla opines that death would have been a fitting punishment for his atrocities. The Armorer agrees, saying that the blood of millions of Mandalorians is on his hands. Djarin says that then Gideon will be executed for his crimes by the New Republic Tribunal. The Armorer replies that they will see. She then talks about the songs of the past prophesying of the rise of the mythosaur to herald a new age of Mandalore. She opens a cupboard which leads to a cabinet containing several beskar sticks.

The beskar spear[]

The Armorer asks Djarin how he obtained the beskar spear. Djarin explains that he obtained it from a Jedi and says that he used it to defeat Moff Gideon. The Armorer says that the beskar spear can pierce beskar armor and that its mere existence puts the Mandalorians at risk. She opines that Mandalorian steel is meant for armor rather than weapons. Djarin requests that she forge the spear into armor. The Armorer picks up the spear and opines that the Darksaber is a more noble weapon for Djarin to wield.

The Armorer puts the beskar spear on top of the smelter. Djarin takes a seat and asks if she is familiar with Bo-Katan Kryze. The Armorer describes Kryze as a cautionary tale while pouring liquid from a tube into a container. Kryze wanted to rule Mandalore based purely on blood and the Darksaber. The Armorer points out that it was gifted to her and not won by Creed. Kryze was born of a mighty house but lost sight of the way. The Armorer says that her rule ended in tragedy, stating that Kryze lost her way while the Mandalorian people lost their homeworld.

The beskar spear is melted down. The Armorer says had their sect not been cloistered on the moon of Concordia, they would not have survived the Great Purge. In a flashback scene, TIE/sa bombers bomb the cities of Mandalore with weapons of mass destruction. The Armorer says that those born of Mandalore strayed from the path. Eventually the Imperial interlopers destroyed all that they knew and loved in the Night of a Thousand Tears. TIE bombers bomb Sundari, destroying it in a firestorm. KX-series security droids and Viper probe droids then scoured the ruins for survivors.

The Armorer says that only those who walked the "Way" escaped the "curse" prophesied in the Creed. Though their numbers were scattered to the winds, she opines that their adherence to the Way has preserve their legacy for generations until they can return to their homeworld. When the Armorer asks what she should forge, Djarin suggests something for a foundling. The Armorer replies this is the way. Djarin then adds that he wants the beskar forged into something for Grogu. The Armorer replies that Grogu is no longer in his care and is back with his kind.

Djarin replies that he wants to see him and make sure he is safe. The Armorer says that Jedi must forgo all attachment in order to master the ways of the Force. Djarin replies that the Jedi Code is the opposite of their creed, which emphasizes loyalty and solidarity. The Armorer asks what she should forge for Grogu. She melts and beats the beskar into links of chain.

The duel[]

Later, the Armorer practises sword-fighting with Djarin, who wields the Darksaber. Djarin jumps off the platform, prompting the Armorer to warn that he is fighting a blade. Djarin resurfaces and says that the Darksaber is getting heavier each minute. The Armorer reasons that this is because he is fighting against the blade. She says that he should be fighting his opponent and tells Djarin to stand up. Djarin rises to his feet and continues parrying with the Armorer, who knocks his helmet. She fights back with her tools.

Gaining the upper hand, the Armorer tells Djarin that he is too weak to fight against the Darksaber and cautions him not to fight against it. She tells him that he cannot control it with his strength. Djarin wants to try again but the Armorer warns that persistence without insight will lead to the same outcome. She warns Djarin that his body is strong but that his mind is distracted. Djarin claims the is focused but the Armorer says that the blade says otherwise. Djarin thinks that the blade belongs to someone else, a sentiment shared by Vizsla who says that the sword was forged by his ancestor, the founder of House Vizsla.

Djarin says that it now belongs to him. Vizsla replies because Djarin won it in combat. Vizsla vows to win the Darksaber from Djarin. The Armorer asks Djarin if he agrees to this duel. Djarin accepts Vizsla's challenge. The two men face each other and put aside their jetpacks. Djarin unsheathes the Darksaber while Vizsla wields a vibro-knife and a shield projector. Vizsla attacks Djarin first, bashing him with his weapons. Djarin fights back and destroys Vizsla's dagger.

Despite losing his weapons, Vizsla is able to stand his ground and throws Djarin off the bridge. He then hurls Djarin against a wall. Vizsla grabs the weapon and states that fate has brought this blade back to his clan. Vizsla vows to end Djarin but the Mandalorian is able to dodge his bigger opponent. They fight around a tubular device. Djarin gains the upper hand and holds Vizsla's throat at knife point. The Armorer orders an end to the duel.

Outcast and voyage to Tatooine[]

She asks Vizsla if he has ever removed his helmet. Vizsla confirms that he has never removed his helmet. She asks if his helmet has ever been removed by others. When Vizsla says no, she says that this is the way. She then asks Djarin if he has ever removed his helmet. Djarin is silent, prompting the Armorer to state that by creed he must vow. Djarin releases Vizsla before confirming that he has removed his helmet. The Armorer responds that means that he is no longer a Mandalorian.

Djarin begs for forgiveness and asks how he can atone. Vizsla tells him to leave, calling him an apostate. According to Creed, one can only be redeemed in the Living Waters beneath the mines of Mandalore. Djarin replies that all the mines have been destroyed. The Armorer replies that this is the way. Djarin departs with the Darksaber and Grogu's gift. He exits through the hatch he came in from earlier and walks alone through the streets of the ring city.

Djarin heads to the spaceport where "Flight 1020" is departing for a non-stop flight to Tatooine at gate number one. An RX-Series pilot droid tells Djarin that no weapons are permitted aboard the flight. Djarin replies that he is a Mandalorian and that weapons are part of his religion. The droid responds that weapons are not allowed on commercial flights. He suggests that Djarin speak with his supervisor and offers to book him on tomorrow's flight. The Djarin places his blaster pistol, whistling birds, vibro-knife, whipcord, bandoliers, and the Darksaber into a check-in luggage crate. He warns the droid that he knows everything inside before climbing aboard the gangplank.

The passenger liner departs into space. Din Djarin rests in the passenger lounge while looking out a window. An R4-series astromech droid with grey and white markings moves down the aisle. A Rodian child in the seat at front of him waves to him but the child's mother tells her son to leave him alone. Djarin looks at the cloth containing Grogu's chainmail.

The passenger liner lands at Mos Eisley's spaceport on the planet Tatooine. Several passengers disembark. An RX-series bell droid welcomes him to Tatooine. Djarin retrieves his check-in luggage, which contains all his weapons intact. The droid wishes him a pleasant stay on Tatooine and hopes to see him again.

The N-1 fighter[]

At Peli Motto's Hangar 3-5, a womp rat grabs BD-72. Peli and her droids, including three DUM-series pit droids, a WED-15 Treadwell droid, and R5-D4 pursue the womp rat. She and Peli argue about democracy. Peli closes in on the womp rat within the storehouse. The womp rat grabs her and attempts to drag her away. However, Djarin shoots the creature dead. BD emerges from hiding while Peli introduces Mando to her droids.

She asks Djarin if he is here to slay a dragon. Djarin replies that he received her message that she had found a replacement for the Razor Crest. Peli confirms that she has found the ship, stating that this is what she does. She asks if he has cash, which he confirms. She counts the money and tells the droids to make themselves useful. When Peli asks about Grogu, Djarin replies that he returned him to his "own kind." Peli grumbles, saying that she could have made money from "that thing" by opening a petting zoo.

Peli leads Djarin into a hangar where a starship is covered under tarpaulin. She removes the tarpaulin to reveal a modified N-1 starfighter. Djarin asks where is the Razor Crest, prompting Peli to clarify that she never said she had a Razor Crest but rather a replacement for the ship. Djarin is disappointed with the condition of the ship and tries to walk away. Peli tells him that this is an N-1 starfighter, handmade for the Naboo Royal Guards and commissioned personally by the Queen of Naboo. Djarin thinks that the ship is a piece of junk.

When Djarin asks for his money back, Peli says "no skin off my dip-swap." She tells the droids to bring Djarin his money. While waiting, Peli tells Djarin to hear her out over the Nabooian starfighter. She says that she was still working on the ship when Djarin arrived, adding that it has a story. She discovers a nest of scurriers. Peli tells Djarin about the difficult time she had in sourcing parts for a ship made during the time of the Galactic Republic. She offers to incorporate custom modifications that will make the starship faster than a fathier.

Peli tells Djarin that since this ship was made before the Empire, she is off the grid. Peli adds that the N-1 cruiser can also jump into hyperspace without a docking ring. Peli convinces Djarin to let her put the ship together before he makes a decision to cancel the purchase.

Later, Djarin works with the BD unit to restore the N-1 starfighter. The droids shines a light on the undercarriage of the ship. Peli returns with a turbonic venturi power assimilator, which she says will make his ship the fastest in the Outer Rim Territories. When Djarin asks where she got it from, Peli replies that she got the power assimilator from the Jawas. Djarin asks where they got the technology from. Peli replies that Tatooine is a "garden of many bounties" and that she gave them a list of parts. When Djarin inquires, Peli says that she practices a policy of "don't ask, don't tell." In return, she lets them pick parts from her dumpster.

The Jawa associates[]

Peli introduces Djarin to her Jawa associates. Djarin asks that if he gets them a list of parts, will they help him. Peli converses with the Jawas in Jawaese. She tells Djarin to make a wish list and the Jawas will see what is available. Djarin replies that he is looking for mainly bolt-on aftermarket speed modifications. Since the starship is hand-built, he reasons that they will need a vintage hyperware that can fit into this antique ship. Peli advises him not to worry about the shape and size and tells him to get the parts that he needs. Peli reassures him that she has dated a Jawa and knows what she is doing. She sends the Jawas to find the parts.

Peli and Djarin continue work on the ship while the pit droids help with the refurbishment. While working on the ship, she chats with Djarin, observing that he is always in a hurry. Peli admits that she has never left Tatooine, describing herself as a local "gal." Djarin observes that their vapor manifold is missing but she opines that Djarin does not need it. Peli replies that she has fabricated the intake charger to ensure that it doubles his output coefficient. Djarin replies that it will blow the shaft out of his motivator block. Peli replies she is reinforcing his compression housing, which she shows him how to access by pressing a red button.

Peli uses her MPH power droid to help charge of the ship. Djarin thanks BD unit for his help. Peli asks if Djarin is interested in how she got the N-1 ship, prompting him to reply that he is interested in a ship similar to the Razor Crest. Peli grumbles that this ship is harder to come by than a Razor Quest. Working together, Djarin, Peli, and the droids begin covering the N-1's hull. The Jawas return with a cryogenic density combustion booster.

Djarin asks where they got it from. The Jawas explained that they stole it from a Pyke spice runner that was refueling. Djarin thinks that this was a gutsy move given the fearsome reputation of the Pyke Syndicate. Peli tells Djarin that the Pykes control the spice trade and rule Tatooine through terror. Even law enforcement are afraid of them. Djarin thanks the Jawas and pays them. Peli thinks Djarin is spoiling them before installing the combustion booster.

The test flight[]

The silver N-1 fighter leaves the hangar. The pit droids drive it out into the open. Peli is impressed with their workmanship. When Djarin asks what happened to the astromech socket, Peli replies that she removed it since she was aware of his earlier aversion for droids. While Peli reprimands R5-D4 for his foul language, Djarin inspects the N-1 fighter and opines that the ship is ready. Peli agrees and allows Djarin to start up the ship.

He climbs into the cockpit and attempts to fire up the ship. The first attempt falters but Djarin pours in more juice at Peli's prompting. Djarin opines that the ship is overpowered for its size but Peli reassures him that it is safe. Djarin takes the N-1 fighter into the air. He engages the ship's forward drive and flies above Mos Eisley. While Djarin flies, Peli tells him that he is used to flying a gunship but to treat the new ship like a starfighter.

He accelerates the ship's engine and flies through several rocky formations. Djarin tells Peli that the ship is fast. While he is testing the N-1 starfighter's maneuverability, Peli tells him to point his navigational disposition between Tatooine's twin suns, which will lead him to Beggar's Canyon. Djarin also tests the ship's handling, which he likens to a railspeeder. After traveling through Beggar's Canyon, Djarin takes the ship into space.

The New Republic patrol[]

Djarin flies beside the space liner. The Rodian child he encountered earlier notices the starship and stares out the window. Djarin flies circles around the space liner before descending back to Tatooine. He is soon intercepted by two New Republic X-wing starfighters. The pilot Reed asks Djarin to run his beacon for him. Djarin asks if he was doing anything wrong. Reed replies that he is not allowed to fly that fast near a commercial ship and that he is also operating without a beacon. He tells Djarin that he needs him to run one for them.

Djarin apologizes and transmits his beacon. Reed observes that his engine model doesn't match his power drive. Djarin replies that he just built the ship and was taking her for a test flight. He says that he hasn't been able to update his registration. Reed requests that he transmit his title tabs. Djarin says that his transmitter is not working and offers to return to Mos Eisley to get it fixed. Reed tells him to relinquish his flight controls for remote-control access. The second New Republic pilot Carson Teva tells Reed to cancel that order since they can let Djarin go with a warning this time.

Djarin thanks Teva and says he will take care of the matter. Teva notices his voice is familiar and asks if he used to fly a Razor Crest. Djarin replies that he has the wrong guy. Teva responds that the Razor Crest surfaced on a transponder log on Nevarro in an incident involving Imperial remnants. Teva says that he is "connecting some dots" and asks Djarin if he minds answering a few questions. Djarin instead powers away and hurtles towards Tatooine.

Reed asks Teva how did Djarin jump without powering up his hyperdrives. Teva points out that Djarin was using his sublight thrusters. Since Reed can't detect Djarin on their sensors, Teva thinks they should let Djarin go to avoid filling reports all day.

Reunion with Fennec Shand[]

Djarin returns to Peli's hangar and tells her that he is impressed with the ship. Peli is pleased with the performance of the J-type pulse engines. She tells him that an "old friend" of his dropped by. Not trusting the person, Peli had locked her out and engaged the hangar security system. When Djarin asks what her name was, they hear Fennec Shand's voice on the intercom. Peli is surprised, believing that the hangar security system was activated.

Shand manages to scale the hangar's walls and climbs down using several pieces of machinery. While Peli is scolding her droids, Shand asks Djarin if he is looking for work. Djarin is interested and Shand tosses him a bag of credits, saying that the pay is good. When Djarin asks what is the bounty, Shand explains that Boba Fett would appreciate some muscle. Djarin returns the bag, saying that it is "on the house." He agrees to the job offer but says that he will first have to visit a "little friend."

Credits[]

By type
Cast Uncredited cast Crew Uncredited crew Special thanks

Cast

Uncredited cast

  • Jon Favreau as Paz Vizsa (Voice)[6]

Crew

Lucasfilm Concept Design Department

  • Design Supervisor – Doug Chiang[5]
  • Concept Supervisors – Ryan Church, Erik Tiemens, Christian Alzmann[5]
  • Concept Model Supervisor – Rene Garcia[5]
  • Concept Team – Anton Grandert, Brian Matyas, Tony McVey, Ric Lim, Jama Jurabaev, Andrée Wallin[5]
  • Concept Managers – Michelle Thieme, Jennifer Hsyu[5]
  • Concept Researcher – Phil Szostak[5]
  • Concept Coordinator – Madeleine Sandrolini[5]
  • Concept Assistant – Katarina Kushin[5]
  • Virtual Production and Visual Effects by – Industrial Light & Magic a Lucasfilm Ltd. Company[5]
  • Associate Visual Effects Supervisor – Cameron Neilson[5]
  • Compositing Supervisor – TC Harrison[5]
  • Consulting Animation Supervisor – Hal Hickel[5]
  • Virtual Production Visualization Supervisor – Landis Fields[5]
  • ILM Visual Effects Supervisors – Enrico Damm, John Knoll[5]
  • ILM Senior Visual Effects Producer – Susan Greenhow[5]
  • ILM Animation Supervisors – Rick O'Connor, Cedric Lo[5]
  • ILM Virtual Production CG Supervisors – Eoghan Cunneen, Doug Sutton[5]
  • ILM Environments Supervisor – Daniel Schmid[5]
  • ILM Environments Associate Producer – Rachel Galbraith[5]
  • ILM Compositing Supervisor – Peter Demarest[5]
  • ILM StageCraft Executive Producer – Christopher Bannister[5]
  • ILM StageCraft Volume Supervisor – Greg Salter[5]
  • Virtual Production Technology by – ILM StageCraft[5]
  • ILM StageCraft Virtual Production "Brain Bar" Crew – Waldo Alfaro, Christopher Balog, Michael Bauer, Claire Brooks, Christian Castaneda, Lloyd Domingo, Kelly Isabelle Fan, Mike Foster, David Gottlieb, Jarrell Hall, Brad Isdrab, Elvin Korkuti, Robert Nagle, Lindsay Pflum, Justin Talley, Kelly Urban, Charlie Van Winkle[5]
  • ILM StageCraft R&D – Alan Bucior, Paul Debaun, Stephen Hill, David Hirschfield, Naty Hoffman, Mike Jutan, Ciku Karanja, Frank La Monaca, Lutz Latta, Matthew Lausch, Matthew O'Neil, Ron Radeztsky, Nick Rasmussen, Jeroen (J) Schulte, Ted Slominski, Jim Toten, Kevin Wooley[5]

Virtual Environment Design

  • Virtual Art Department Supervisors – Safari Sosebee, Andy Proctor[5]
  • Virtual Art Department Pipeline Engineer – Joey Wittmann[5]
  • Virtual Art Department Manager – Genevieve Elkin[5]
  • Virtual Art Department – Happy Mushroom[5]
  • Virtual Art Department Crew – Steven Hensley, Colleen Craige, Dallas Drapeau, Corey Hill, Cameron Hillman, Madi Lenhart, David Olson, Giovanni Shull, Skye Terran, Tripp Topping, Matthew McLaughlin, Leysan Khabibullina[5]
  • Visualization by – The Third Floor, Inc.[5]
  • Visualization Supervisor – Chris Williams[5]
  • Previs Leads – Michael Deliso, Alexander Isaksson[5]
  • Virtual Production Stage Lead – Daniel McCue[5]
  • Techvis Supervisor – Steven Tom[5]
  • Techvis Lead – Evelyn Cover[5]
  • Visualization Artists – Bruce Buechner, Alice Chang, Paul Alan Flores, Ron Friedman, Erik Griott, Shawn Hull, Anthony Jacob, Eric Joo, Casey Kelly, Ryan Kirtack, Phillip Kourie, Geoff Lou, Connor Murphy, Donald Netzel, Marcelino Newquist, Gregg Wrenn[5]
  • Visualization Producer – Clayton Albrecht[5]
  • Visualization Coordinator – Tanner Brandt[5]
  • Mocap Technician – Kaitlin Duchene[5]
  • Engine TA – Laurentiu A. Tanase[5]
  • Vice President – Dane Allan Smith[5]
  • Supervisor, Software Development – Markus Ristich[5]
  • Head of IT – Jeremy Oddo[5]
  • IT Manager – Nich Durst[5]
  • Set Decorator – Amanda Serino[5]
  • Leadman – Sean Ginevan[5]
  • Set Dressers – Mike Dunworth, Greg Evans, Kalani Hafoka, Chris Poindexter, Leo Rodriguez, Noah Tavares, John Warner[5]
  • Set Decoration Prop Shop Foremen – Joel Aiello, Chris Fix[5]
  • Set Decoration Coordinator – Anne Tobin[5]
  • Gangbosses – Jeff Ault, Joe Bergman[5]
  • On-Set Dressers – John McElroy, Pete Lakoff[5]
  • Set Decoration Paint Foreman – Doug Hawthorne[5]
  • Set Decoration Painters – Roger Floyd Asch, Antony Lewis[5]
  • Draper Foreperson – Deb Jones[5]
  • Shopper – Humberto Garcia[5]
  • Property Master – Josh Roth[5]
  • Second Unit Property Master – Lawson Brown[5]
  • Prop Shop Coordinator – Damon Allison[5]
  • Property Assistants – Patrick Smith, Matt Hausman, Brian Nabors, Sabine Asanger, Akiko Thomas[5]
  • Assistant Property Masters – Martin Milligan, Greg Finnin[5]
  • Property Propmakers – Alex Vuckovich, Jason Lane, Jason Kaufmann, Crystal Kenrick[5]
  • Prop Shop Moldmakers – Dung Van Vu, John Van Cise[5]
  • Prop Shop Painters – Eric Wortmann, Matt Ramacieri[5]
  • Construction Coordinator – Steve Desantis[5]
  • General Foreman – Rick Belosic[5]
  • Stage Foremen – Chris McCain, George Stokes, Dave Stuart, Kyle Simokovic[5]
  • Labor Foreman – Reggie Garcia[5]
  • Lead Scenic Painter – Stacy Clinger[5]
  • Plaster Supervisor – Rob Wilibanks[5]
  • Greens Supervisor – Richard Bell[5]
  • Construction Accountant – Matt Demier[5]
  • Scenic Foreman – Donn Cross[5]
  • Sculptor Foreman – Craig Abele[5]
  • Staff Shop Supervisor – Dave Cohen[5]
  • Key Makeup Artist – Sabrina Wilson[5]
  • Makeup Artists – Cary Ayers, Cale Thomas, Mo Meinhart, Julie Socash, Scott Stoddard[5]
  • ProsFab Room – Dan Crawley, Crystal Gomez, Ian Goodwin, Tim Martin[5]
  • Key Hair Stylist – Ashleigh Childers[5]
  • Hair Stylists – Laura Caponera, Kimberly Carlson, Karen Zanki[5]
  • Assistant Costume Designer – Areayl Cooper[5]
  • Truck Costumers – Gina Pimentel, Shea Wolfe[5]
  • Costume Supervisor – Julie Robar[5]
  • Key Costumers – Kelly Chambers, Michelle Moder[5]
  • Special Costume Manufacturers – Juan "Rooster" Balandran, Ainsley Buhl, Giselle Carillo, Sam Elias, Javier Gonzalez, Thomas Hauth[5]
  • Set Costumers – Christie Alvarado, Omar Berumen, Mary Gosset, Joan Lee, Valerie Mores, Azby Ventura[5]
  • Prop Costumers – Elissa Alcala, Giovanni Dilbeck, Justin Ducoty, Jessi Alice Eichberger, Stefanie Gardenhire, Lisa Gardner, Samantha Levitt, Rachel Pollen, Alexx Sturman[5]
  • Patternmakers / Fitters – Luis Norato Jr, Vicky Nuefeld[5]
  • Alterations Fitter – Rachel Leathers[5]
  • Tableperson – Tanya Apuya[5]
  • Costume Manufacturing Foreperson – Shannon Neal Short[5]
  • Costume Illustrator – Imario Susilo[5]
  • Head Dyer – Carol Demarti[5]
  • Drapers – Tiana Brinton, Gabriella Colbasso, Sylvia Furken, Juliette Kendall, Samantha Sneed[5]
  • Animatronic Live Action Effects, Prosthetics & Specialty Costumes by – Legacy Effects[5]
  • Prosthetic Designer – Scott Patton[5]
  • Legacy Effects – J. Alan Scott, David Merritt, Marilyn D. Chaney, Peter Clarke, Damon Weathers, Richard Galinson, Jonathan Faber, Greg Smith, Jason Matthews, Damian Fisher, Kenneth Cornett, Jeff Deist, Diego Porqueras, Derek Rosengrant, Trevor Hensley, James Springham, Cory Czekaj, Ryan Pintar, Michael Manzel, Christopher Swift, Vicky Fernandez, Blair Berens, Lou Diaz, Hiroshi Ikeuchi, Cary Lee, Tamara Carlson-Woodard, David Covarrubias, Dawn Dininger, Christopher Grossnickle, Connie Criswell, Glenn S. Hanz, Rodrick Khachatoorian, Lasander Washington, A.J. Venuto, Gary Yee, Jim Charmatz, Seth Hays, Dan Driscoll, Clay Martinez, Nathan Fritzges, Amy Whetsel[5]
  • Specialty Costumes by – Ironhead Studios, Jose Fernandez[5]
  • A Camera Operator – Simon Jayes[5]
  • B Camera Operator – Chris Murphy[5]
  • DIT – Eduardo Eguia[5]
  • Second Unit DIT – Matt Schouten[5]
  • Loader – Anna Jay[5]
  • A Camera First Assistant – Dominik Mainl[5]
  • B Camera First Assistant – Josh Greer[5]
  • A Camera Second Assistant – John Carreon[5]
  • B Camera Second Assistant – Jeremy Cannon[5]
  • Additional Loader – Derek Ashbaugh[5]

Second Unit Camera

  • C Camera Operator – Andy Graham[5]
  • D Camera Operator – John Joyce[5]
  • C Camera Second Assistant – Lawrence Lim[5]
  • C Camera First Assistant – Ken Tanaka[5]
  • D Camera First Assistant – Niranjan Martin[5]
  • D Camera Second Assistant – Dumaine Babcock[5]
  • Production Sound Mixer – Shawn Holden[5]
  • Second Unit Sound Mixer – Moe Chamberlain[5]
  • Sound Utility – Veronica Kahn[5]
  • Second Unit Sound Utility – Cole Chamberlain[5]
  • Boom Operator – Patrick Martens[5]
  • Second Unit Boom Operator – Kraig Kishi[5]
  • Video Assist Operator – Brad Ralston[5]
  • Second Unit Video Assist Operator – Gaylen Nebecker[5]
  • Video Utility – Kyra Westman[5]
  • Second Unit First Assistant Director – Heather Wagner-Wang[5]
  • Second Second Assistant Director – Heather Kehayas[5]
  • Additional Second Assistant Director – Jennifer Bendik[5]
  • Unit Photographer – François Duhamel[5]
  • Studio & Second Unit Photographer – Nicola Goode[5]
  • Franchise Photo Assistant – Henry Han[5]
  • Chief Lighting Technician – Jeff Webster[5]
  • Assistant Chief Lighting Technician – Kevin Perry[5]
  • Rigging Chief Lighting Technician – Robert DeChellis[5]
  • Rigging Assistant Chief Lighting Technician – Jeff Cole[5]
  • Second Unit Lighting Programmer – Jason Norman[5]
  • Fixtures ACLT – Greg Etheridge[5]
  • Lighting Programmer – Derek Hoffman[5]
  • Second Unit Chief Lighting Technician – Alex Gaynor[5]
  • Rigging Lighting Programmer – Tom Howard[5]
  • Fixtures Foreman – Sam Kemp[5]
  • Set Lighting Technicians – Keelan Carothers, Arturo Elizondo, Joey Kennedy, Fernando Morales, Jr, Michael Schmidt, Alex Tamayo, Joey Waring[5]
  • Rigging Technicians – Todd Cole, Marshall Coop, Sean Eyeslee, William Maris, Timothy Molina, George Weisfuss III[5]
  • Fixtures Technicians – Raymond Hoy, Bryan Mazur, Morgan McDonald Smith, Jesse Smith[5]
  • Key Grip – Walter "Bud" Scott[5]
  • Best Boy Grip – Greg Fausak[5]
  • Dolly Grips – Diego Isaac Mariscal, Erik Zucker[5]
  • Second Unit Key Grip – Benjamin Kilmer[5]
  • Second Unit Best Boy Grip – Scott Eades[5]
  • Company Grips – Chris Lindsay, David Leite, Matt Keitzman, Nathan Childe, Nathan Fung, Bruce Carothers[5]
  • Key Rigging Grip – Jason Selsor[5]
  • Rigging Grip Foreman – Jose Gonzalez[5]
  • Best Boy Rigging Grip – Michael Strong[5]
  • Construction Grip Foreman – Zach Sullivan[5]
  • Rigging Grips – Bill Foley, Jaime Gonzalez, Jacob Lee, Drew Middleton, Anthony Nevarez, Ryan O'Connell, Tyler Strong[5]
  • Construction Grips – Will Anguiano, Colton Hale, Paul Silva, John Sullivan[5]
  • Production Coordinators – Drew Barnett-Hamilton, KB Pugliese[5]
  • Assistant Production Coordinators – Jasmine Gunderson, Erika Pontius[5]
  • Production Secretary – Mckenna Martin[5]
  • Health & Safety Production Secretary – Stephen Horner[5]
  • Health & Safety Production Coordinator – Jesse Cohen[5]
  • Health & Safety Testing Coordinator – Heather Higginbotham[5]
  • Health & Safety Assistant Testing Coordinator – Eli Porkka[5]
  • Financial Controller – Elena Holden[5]
  • First Assistant Accountants – Chrisoula Vlassopoulos, Bradley Field[5]
  • Payroll Accountants – John Hertenstein, Lori Ikeda[5]
  • Accounting Clerk – Kelsea Cheney[5]
  • Second Assistant Accountants – RJ Deguzman, Lisa Kisner, Kristin Quinn, Alexandra Rubisz[5]
  • Payroll Assistants – James Otto, Jr., Dan Rose[5]
  • Script Supervisor – Tricia Ronten[5]
  • Additional Script Supervisor – Robin Bianchi[5]
  • Unit Publicist – Gregg Brilliant[5]
  • Casting Associate – Molly Pinto[5]
  • Tusken Sign Language created by – Troy Kotsur[5]
  • Casting Assistant – Cecilia Lau[5]
  • Special Effects Supervisor – Scott Fisher[5]
  • On-Set Coordinator – James Rollins[5]
  • Rigging Foreman – Roland Loew[5]
  • Shop Foremen – Corey Faucher, Steven "Scott" Wheatley[5]
  • Special Effects Accountant – Melissa Fisher[5]
  • Engineer / Design Tech – Eric Heraldstead[5]
  • Motion Control Operators – Ron Epstein, Brent Robinson[5]
  • On-Set Technicians – Robert Slater, Vincent Vanillo[5]
  • Special Effects Technicians – Ryan Arndt, Mike Duenas, Tom Templeman[5]
  • Location Manager – Scott Trimble, LMGI[5]
  • Key Assistant Location Manager – Tommy Woodard[5]
  • Transportation Coordinator – Robert Dingle[5]
  • Transportation Captain – Chopps Denson[5]
  • Transportation DOT Administrator – Kathie Padilla[5]
  • Drivers – Alex Andrade, Roy Bothun, Danny Bress, Edward Cortez, Mark Dingle, Jeff Gold, Michael Gregorio, Ryan Jewell, Jeremy Johnson, Steve Lindsey, Andrew Mills, Aj Mink, Joe Miulli, Stacy Robinson, Gertrude Sale, Alex Sanchez, Dennis Steere, Jeff Taylor[5]
  • Associate Editor – J. Erik Jessen[5]
  • Visual Effects Editors – Steve Jacks, Michael Struk, David C. Valdez, Luftar Von Rama[5]
  • Senior Post Production Supervisor – Jude Lane-Babcock[5]
  • Post Production Supervisor – Abigail Callahan[5]
  • Assoc. Post Production Supervisor – Anna Livingston[5]
  • First Assistant Editor – Michael Lucas[5]
  • Assistant Editors – David Matusek, John Ott, Jay Trautman[5]
  • First Assistant Editor / Technical Assist – Zach Fine[5]
  • Post Production Coordinators – Jason Sinclair, Kathryn Elise Drexler[5]
  • Post Production Assistant – David Parenteau[5]
  • Dailies by – Fotokem nextLAB[5]
  • Dailies Colorist – Jon Rocke[5]
  • Dailies Producer – Dariane Nabor[5]
  • nextLAB Deployment Manager – Tyler Foster[5]
  • nextLAB Operator – Albert Gutierrez[5]
  • Dailies Operations Manager – Jackie Mata[5]
  • nextLAB Engineer – Kyle Peters[5]
  • VFX Pulls by – Fotokem nextLAB[5]
  • nextLAB Development – Freddy Goeske, Eric Cameron[5]
  • nextLAB Operators – Vince Hughes, Michaelangelo Macias[5]
  • nextLAB Engineers – Bryan Golder, James Bebenroth[5]
  • Senior Producer – Pamela Scott-Farr[5]
  • Producer – Roberto Garcia[5]
  • Digital Intermediate provided by – Company 3[5]
  • Additional Finishing Artist – Charles Bunnag[5]
  • Finishing Editors – Joe Ken, John Diesso[5]
  • Technologist – Mike Chiado[5]
  • Color Assist – Michael Ochoa[5]
  • Mastering Producer – Jessica Dunn[5]
  • Head of Production – Nick Monton[5]
  • Finishing Producer – Paul Geffre[5]
  • Image Scientist – Dr. John Quartel[5]
  • Senior Technical Lead – Juan Flores[5]
  • Finishing Executive – Jackie Lee[5]
  • Mastering Technician – David Renteria[5]
  • CO3 President – Stefan Sonnenfeld[5]
  • Main & End Titles designed by – yU+co[5]
  • End Credits by – Scarlet Letters[5]
  • Score Produced by – Ludwig Göransson[5]
  • Music Editor – Stephanie McNally[5]
  • Orchestrators – Pete Anthony, Jon Kull[5]
  • Conductors – Anthony Parnther, Mike Valerio[5]
  • Music Librarian – Roger Satorra[5]
  • Concert Master – Tereza Stanislav[5]
  • Orchestra Contractor – Peter Rotter[5]
  • VP, Warner Bros. Sound Operations – Jamie Olvera[5]
  • Warner Bros. Stage Engineer – Tom Hardisty[5]
  • Score Supervisor – Monica Sonand[5]
  • Synth Programmers – Max Sandler, Prateek Rajagopal, Ngawang Samphel[5]
  • Music Preparation – Joann Kane Music Service[5]
  • Score & Mix Engineer – Alan Meyerson[5]
  • Vocal Contrator – Jasper Randall[5]
  • Pro Tools Operator – Larry Mah[5]
  • Score Mix Assistant – Michael Gossard[5]
  • Solo Musicians – Anthony Baldino, George Doering, Pedro Eustache, Zac Rae, Brian Kilgore, Ludwig Göransson, Joseph Shirley[5]
  • Musicians – Steve Becknell, Charlie Bisharat, Bill Booth, Jake Braun, Laura Brenes, Rob Brophy, Eric Byers, Roberto Cani, Heather Clark, Rose Corrigan, Samantha Crockett, Jennifer Cullinan, Zach Dellinger, Marcia Dickstein, Andrew Duckles, Bruce Dukov, Steve Erdody, Alma Fernandez, Helen Goode, Wynton Grant, Jessica Guideri, Tamara Hatwan, Trey Henry, Amy Hershberger, Luanne Homzy, Ben Jacobson, Dennis Karmazyn, Phil Keen, Ana Landauer, Songa Lee, Natalie Leggett, Phil Levy, Tim Loo, Maya Magub, Shawn Mann, Stephanie Matthews, Luke Maurer, Ed Meares, Jonathan Moerschel, Philip O'Connor, Adedeji Ogunfolu, Grace Oh, Jenni Olson, Geoff Osika, Alyssa Park, Barry Perkins, Teag Reaves, David Rejano, Mark Robertson, Molly Rogers, Rob Schaer, Vanessa Freebairn Smith, Michael Stever, Lori Stuntz, Sarah Thornblade, Doug Tornquist, Charlie Tyler, Mike Valerio, Josefina Vergara, David Walther, Lara Wickes[5]
  • Post Production Sound Services by – Skywalker Sound a Lucasfilm Ltd. Company, Marin County, California[5]
  • Sound Designer – David Acord[5]
  • Sound Effects Editors – Benjamin A. Burtt, David Collins[5]
  • Foley Supervisor – Frank Rinella[5]
  • Foley Artists – Ronni Brown, Andrea Gard, Sean England, Margie O'Malley[5]
  • Foley Mixers – Jason Butler, Richard Duarte[5]
  • Sound Effects Librarian – Michael Levine[5]
  • Digital Editorial Support – Scott Theakston[5]
  • Post Production Sound Accountant – Jessica Engel[5]
  • Studio Capacity Manager – Carrie Perry[5]
  • Head of Engineering – Steve Morris[5]
  • Re-Recording Mixer – Scott R. Lewis[5]
  • Dialogue/ADR Editors – Angela Ang, Ryan Cota[5]
  • Foley Editor – Alyssa Nevarez[5]
  • Assistant Supervising Sound Editor – Trey Turner[5]
  • Additional Re-Recording Mixers – Liz Marston, Juan Peralta[5]
  • Assistant Re-Recording Mixers – Derek McGinley, Judy Kirschner[5]
  • Engineering Services – Brian Long[5]
  • IT Engineer – Edgar Meza[5]
  • Client Services – Eva Porter[5]
  • Head of Production Finances & Planning – Mike Peters[5]
  • Head of Production – Jon Null[5]
  • SVP/General Manager – Josh Lowden[5]

Visual Effects Crew

  • Visual Effects Associate Producers – Jakris Smittant, Hui Ling Chang[5]
  • Additional Visual Effects Supervisor – Justin Van Der Lek[5]
  • Visual Effects Production Managers – Katie Plumer, Chloe Lipp[5]
  • Second Unit Visual Effects Supervisor – Jason Van Haverbeke[5]
  • Visual Effects Coordinators – Hawkins Dubois, Derrek Horn, Jett Lucas, Greg Weiler[5]
  • Visual Effects Editor – Lorelei David[5]
  • Visual Effects Assistant Coordinators – Tara Molesworth, Kate Chamuris[5]
  • Visual Effects Production Assistant – Bianca Salinas, Alex Anastassiou[5]
  • Visual Effects Data Wrangler – Matt Skuta[5]
  • Photogrammetry Acquisition Tech – Giles Hancock[5]
  • Visual Effects Accountant – Carrie Sharpe[5]
  • Visual Effects by – Industrial Light & Magic[5]
  • Visual Effects Supervisors – David Seager, Nelson Sepulveda-Fauser[5]
  • Industrial Light & Magic – Jhon Alvarado, Ken Beauchamp, Gerald Blaise, Siksit Boonyodom, Zachary Boxall, Paul Braddock, Can Chang, Tim Dobbert, Damian Doennig, Rachael Dunk, Raphaël Gadot, Nathan Gardner, Brian Holligan, Ryan Hopkins, Hasan Ilhan, Erich Ippen, Evan Jacobson, Tim Jones, Barry Kane, Justin Kosnikowski, Alex Lay, Marco Leone, John Levin, Russell Lum, Rasely Ma, Yateen Mahambrey, Justin Martin, Marian Mavrovic, Alé Melendez, Peter Moran, Patrick T. Myers, Per Mørk-Jensen, Naren Naidoo, Ben Neall, Michael J. Parker, Andrew Poole, Alexandru Popescu, Mohammad Rastkar, Donny Rausch, Diego Rebello, Francesco Sansoni, Eric Schroeder, Ed Siomacco Jr., Huai Yuan Teh, Shivas Thilak, James R. Tooley, Alan Travis, Kaitlyn Williams, Anton Yri, Man Yu Chun (Christine), Janice Tan A.L., Alishia Adams, Martha Aguilar, Shelby Albright, Juan Valenzuela Alcaraz, Charles Alleneck, Martin Alvarez Garcia, Keith Anthony-Brown, David Apgar, Joakim Arnesson, Nor Azman, Seung Yeop Baek, Lance Baetkey, Dan Bailey, Naomi Balfe, Jeff Bartzis, Arthur Bayard, Jean-Paul Beaulieu, Gregory Bellis, Jeffrey Benedict, Raphael Beyaert, Sumriti Bhogal, Sindre Bjøringsøy Johnsen, Adam Blank, Remi Boeynaems, Jean Bolte, David Bowman, Maria Brill, Dylan Leif Brinsbury-Magee, Tasha Brotherton, Markus Bruland, Andrew Butler, Chris Byrnes, Jeen C. Yee, Eduardo Cardoso, Sergio Andres Carmona Arango, Bernard Sampang Carpio, Tami Carter, Erico Caselle, Daniel Frade Castaneda, Adeline Chan, Janice Chan, Wesley Chandler, Malavika Chandrakanth, Francois Chardavoine, Mathieu Chardonnet, David Chen, Georgie Chen, Teddy Cheong, Peter Chesloff, Keith Cheuk, Tadeusz Chmiel, Thitinuch Chongko, Craig Christian, Diana Chu, Graham Churchill, Alex Coble, Mickael Coedel, Aurelien Collard, Diego Collell, Meagan Condito, Jay Cooper, Krishnamurti Costa, Nathan J. Cox, Deborah Cramb, Jaume Creus, Georgia Croft, Kyle Cuaresma, Scott Dace, Jayandera Danappal, Mitchell Deeming, Jonald Delos Santos, Julian Diaz, Matt Dignam, Josh Docherty, Ian Dodman, Christopher Doerhoff, Khong Li Dong, Robert Dorris, Alana Douglas, Adam Driscoll, Thomas Duckett, Hunter Elliott, Amir Epstein, Greg Fairey, Dan Feinstein, Jose Fernandez De Castro, Adam Ferrall-Nunge, Vincent Fiere, Christopher Forrai, Rebecca Forth, Joseph Fortuno, Jack French, Nicole Galaz, Sean Gardner, Hongfei Geng, Chee Jun Ghai, Sirak Ghebremusse, Angela Giannoni, Ryan Gillis, Robert Glazer, Chaisi Glover, Joshua Goetz, Michael Gomes, Moises Gomez Gonzalez, Daniel Gonzalez Solozabal, Alexander Goodwin, Monique Gougeon-Dicomo, Stephane Grabli, Duncan Graham, Julian Gregory, Michael Leigh Gresham, Greg Grusby, Joe Gunn, Paul H. Paulino, Jean-Denis Haas, K.S. Haddock, Christian Haley, Michael Halsted, Steffen Hampel, Rick Hankins, Travis Harkleroad, Lucas Hartley, Benjamin Hawkins, Trevor Hazel, Samuel Head, Gisela Hermeling, Asier Hernaez, Luke Hetherington, Barbra See Wai Ho, Bryan Horvat, Jonathan Howard, Weihao Huang, Weldon Huang, Christoffer Hulusjo, Elaine Hung, Greg Hyman, Seung Ryong Jeon, Ian Joli, Nicolas Joyen-Conseil, Germaine Phoo Hui Jun, Hyunkyung Jung, Pei San Kang, Chrissy Kavanagh-Cole, Maia Kayser, Robin Keast, Timothy Kelly, Josh Kent, Simran Khalsa, Danial Khan, Prajakta Khatal, Mercedes Khumnark, Haetsal Kim, Wong Leong Kit, Shelagh Kitney, Aren Kittilsen, Oscar Knott, Yunjung Ko, Kenneth Koh, Wosing Koh, Venkatesh Kongathi, Tang Kuan Hui, Anshul Kumar Srivastava, Oseong Kwon, Julien Lasbleiz, Adam Lau, Anna Le Danois, Kerry Lee, Young Lee, Frederick Lemaster, Eric Leong, Eric Leven, Hugo Leygnac, Fangfei Li, Linli Lim, Nicole Lim Shen-Yi, Desmond Lin, Sandra Lin, Bak Liping, Wu Liqun, Daniel Lobl, Dave Logan, Simon Loisel, Andrew Love, Shu Low, Amy Lu, Falk Lude, Micael Luis Kobeh, Zijun Ma, Sarah Macpherson, Stu Macrae, Oleg Magrisso, Jayanti Mahapatra, Cristiane Teles Maia, David Manos Morris, Filipe Marques, David Marte, Kevin Martel, Sarah Martin, Tom Martinek, Marcel Martinez, Heather Martini, Enrique Mateo-Sagasta Dávila, Deirdre McCarthy, Donald McCorquodale, Joanne McCuaig, Malinda McGuire, Kristy McIntyre, Molly McLaren, Brandon McNaughton, James McPhail, Frederic Medioni, Rob Meyers, Neil Michka, Brandon Miletta, Kuo Ming Yen, Dhara Modhwadia, Azhul Mohamed, Effandi Bin Mohamed, Allison Moon, Timothy Mueller, Norah Mulroney, Steven Muniz, Cheryl Murata, Myles Murphy, Elona Musha, Ullas Narayana, Masa Narita, Jacek Naruniec, Charlotte Ng, Yuhon Ng, Tristan North, Caitlin O'Flanagan, Danielle O'Hare, Ebony Obst, Chanel Oh Fang Qi, Ini Oladosu, Hernan Orozco Rosas, Christophe Pacaud, Erik Pampel, Samantha Panganiban, Gurpreet Pannu, Noah Pascuzzi, Harshal Patil, Emily Pead, Vasho Pekar, Kalle Peterson, Corbin Phillips, Andrew Pinson, Ian Plumb, Danny Popovic, Eddie Porter, Paris Premdas, Nick Proulx, Jena Quiben, Khalid Ali Qureshi, Kevin Rakes, Sebastian Ravagnani, Benjamin Read, April Rhee, Dean Richichi, Ana Rivera Garcia, Melissa Roberts, Oswin Rodrigues, Cesar Rodriguez Bautista, Alfredo Rodriguez Martinez, Matt Roe, Rakesh Roopavataram, Eric Rosengard, Kim Rottman, Insa Ruderich-Burch, Martin Sacramento, Christopher Schroers, Brian Schultz, Chantelle Searle, Elham Senin, Behnam Shafiebeik, Gina Phoo Hui Shan, Amy Shepard, Kirk Shimano, Hirohide Shishido, Shawn Sun Shiyu, Matthew Shumway, Sarah Simpson, Tay Chin Siong, Ryan Sluman, Natalie Smith, Norma De Souza, Elena Spina, Pascale St-Pierre, Tim Strain, Jonathan Sum, Jonathon Sumner, Ellie Sutton, Nick Swartz, Marc Taganas, Kouji Tajima, Sumire Takamatsu, Jeffery Tan, Jinng Hwee Tan, Piotr Tatar, William Teo, Orion Terry, Jill Thomas, Colin Thomson, Josh Thornhill, Ben Tillmann, Jamie Tilston, Laura Tomassetti, Jessica Tong, Phi Tran, Sarah Trop, Alex Tropiec, Matthew Tsai, Chris Turner, Reuben Bulawin Uy, Michael Van Eps, Gerard Van Ommen Kloeke, Mark Velazquez, Olivier Vernay-Kim, Archie Villaverde, Gary Walker, John Walker, Mathieu Walsh, Brett Walter, Steven Heavenly Wang, Andrew Watkins, Justine Watkins, Romann Weber, Rebecca Wells, Chris West, Kaisha Williams, Kelcie Williams, Andy Wong, Eric Wong, Olivia Wong, Stephen Wong, David Wortley, Ben Wotton, Sharissa Wright, Yoshiya Yamada, Hang Yang, Rick Yang, Cao Ye, Onn Sen Ye, Long Yinghan, Sunhyea Heather Yoon, Jeffery Yost, Can Yuksel, Tiffany Yung, Balcioglu Yunus, Gwen Zhang, Edward Zhou, Vivian Hanqi Zhu, Pedram Ziaei[5]
  • Additional Visual Effects by – Yannix (Thailand) Co. LTD, Virtuos[5]


Appearances[]

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Miscellanea

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Notes and references[]

  1. 1.0 1.1 1.2 1.3 1.4 D23 logo Everything New You Can Stream on Disney+ in January 2022 on D23.com (backup link)
  2. 2.0 2.1 2.2 DisneyPlusLogo The Book of Boba Fett Media Kit on Disney+ (backup link)
  3. TwitterLogo Tracy Cannobbio (@Tcann13) on Twitter: "Well, it's coffee time to stay up for #TheBookOfBobaFett! Tonight's ep is directed by the amazing @BryceDHoward!" (backup link)
  4. Star Wars: Timelines places the present day events of The Book of Boba Fett in 9 ABY.
  5. 5.000 5.001 5.002 5.003 5.004 5.005 5.006 5.007 5.008 5.009 5.010 5.011 5.012 5.013 5.014 5.015 5.016 5.017 5.018 5.019 5.020 5.021 5.022 5.023 5.024 5.025 5.026 5.027 5.028 5.029 5.030 5.031 5.032 5.033 5.034 5.035 5.036 5.037 5.038 5.039 5.040 5.041 5.042 5.043 5.044 5.045 5.046 5.047 5.048 5.049 5.050 5.051 5.052 5.053 5.054 5.055 5.056 5.057 5.058 5.059 5.060 5.061 5.062 5.063 5.064 5.065 5.066 5.067 5.068 5.069 5.070 5.071 5.072 5.073 5.074 5.075 5.076 5.077 5.078 5.079 5.080 5.081 5.082 5.083 5.084 5.085 5.086 5.087 5.088 5.089 5.090 5.091 5.092 5.093 5.094 5.095 5.096 5.097 5.098 5.099 5.100 5.101 5.102 5.103 5.104 5.105 5.106 5.107 5.108 5.109 5.110 5.111 5.112 5.113 5.114 5.115 5.116 5.117 5.118 5.119 5.120 5.121 5.122 5.123 5.124 5.125 5.126 5.127 5.128 5.129 5.130 5.131 5.132 5.133 5.134 5.135 5.136 5.137 5.138 5.139 5.140 5.141 5.142 5.143 5.144 5.145 5.146 5.147 5.148 5.149 5.150 5.151 5.152 5.153 5.154 5.155 5.156 5.157 5.158 5.159 5.160 5.161 5.162 5.163 5.164 5.165 5.166 5.167 5.168 5.169 5.170 5.171 5.172 5.173 5.174 5.175 5.176 5.177 5.178 5.179 5.180 5.181 5.182 5.183 5.184 5.185 5.186 5.187 5.188 5.189 5.190 5.191 5.192 5.193 5.194 5.195 5.196 5.197 5.198 5.199 5.200 5.201 5.202 5.203 5.204 5.205 5.206 5.207 5.208 5.209 5.210 5.211 5.212 5.213 5.214 5.215 5.216 5.217 5.218 5.219 5.220 5.221 5.222 5.223 5.224 5.225 5.226 5.227 5.228 5.229 5.230 5.231 5.232 5.233 5.234 5.235 5.236 5.237 5.238 5.239 5.240 5.241 5.242 5.243 5.244 5.245 5.246 5.247 5.248 5.249 5.250 5.251 5.252 5.253 5.254 5.255 5.256 5.257 5.258 5.259 5.260 5.261 5.262 5.263 5.264 5.265 5.266 5.267 5.268 5.269 5.270 5.271 5.272 5.273 5.274 5.275 5.276 5.277 5.278 5.279 5.280 5.281 5.282 5.283 5.284 5.285 5.286 5.287 5.288 5.289 5.290 5.291 5.292 5.293 5.294 5.295 5.296 5.297 5.298 5.299 5.300 5.301 5.302 5.303 5.304 5.305 5.306 5.307 5.308 5.309 5.310 5.311 5.312 5.313 5.314 5.315 5.316 5.317 5.318 5.319 5.320 5.321 5.322 5.323 5.324 5.325 5.326 5.327 5.328 5.329 5.330 5.331 5.332 5.333 5.334 5.335 5.336 5.337 5.338 5.339 5.340 5.341 5.342 5.343 5.344 5.345 5.346 5.347 5.348 The Book of Boba Fett logo The Book of Boba Fett — "Chapter 5: Return of the Mandalorian"
  6. SWInsider "Star Wars: The Mandalorian Season One Companion" — Star Wars Insider 201

External links[]


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