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"Who told these Pre-Mor bastards about Kenari?"
"That would be me."
―Maarva Andor and Cassian Andor[3]

"That Would Be Me" is the second episode of the first season of Star Wars: Andor. The episode is directed by Toby Haynes and written by Tony Gilroy.[1] It aired on September 21, 2022 alongside the first and third episodes.[2]

Official description[]

Cassian attempts to lay low on Ferrix as agents of the law close in.

Expanded description[]

Cassian scrambles to settle his affairs on Ferrix with friends and family as tactical forces close in on him, led by an obsessed agent driven to preserve law and order. Meanwhile, a mysterious man with eyes on Cassian arrives on the planet.

Plot summary[]

A person of interest[]

In the past, a younger Cassian Jeron Andor accompanies his Kenari tribe as they travel through the jungles towards the wrecked starship. During the journey, Andor gazes down at a large open-cast mine. In the present, the Time Grappler beats a large beskar anvil with two hammers to signal the end of the work day. Pegla powers down a ship that he is working on at a starship lot. Meanwhile, Timm Karlo invites Bix Caleen out for a meal, and the two share a kiss. While checking the computer terminal, Karlo receives news that the Pre-Mor Authority is seeking a Kenari male for questioning and requests that they contact the Preox Morlana Corporate Security Headquarters without delay.

Andor visits Maarva Andor and her droid B2EMO at her home. After exchanging greetings, Andor claims that he sustained his facial injury from tripping on a cable while helping Pegla. Andor also claims that he was out last night meeting Brasso and had business to attend in the East. Under Maarva's orders, B2EMO informs Andor that the Pre-Mor authorities are searching for a Kenari male. Maarva asks Andor who else knows that he was born on Kenari. As Andor struggles to answer, Maarva reminds Andor that he needs to maintain the cover story that he was born on Fest.

Maarva chides Andor for spilling his secrets to his lovers and demands to know how the Pre-Mor authorities learned about his Kenari origins. Andor admits that he was responsible. B2EMO also informs Andor that Caleen has been trying to contact him. Before B2EMO can tell him, the droid powers down. When Maarva asks what Andor has done, he replies that he "messed up."

Andor later meets up with Caleen and tells her about the incident with the two Pre-Mor Security Inspection team sentry guards Verlo Skiff and Kravas Drezzer on Morlana One. Andor offers to sell her a piece of technology in return for securing her help in escaping offworld. Caleen tells him that the buyer is coming the following day and that it is too late to call it off. Andor replies that he won't forget this. Karlo watches from the counter nearby. Caleen advises Andor to leave.

The informant[]

After drinking, Karlo heads to a communication terminal. Later, several Pre-Mor analysts receive Karlo's tip call. Based on this call, the team checks Andor's records and finds that he has committed several crimes including destruction of Imperial property and assaulting an Imperial officer. Deputy Inspector Syril Karn inquires into his subordinates' progress as they bring up an image of a younger Andor. The brothel hostess whom Andor met earlier also enters the communications room.

Later that night, Karlo is visited by Caleen, who has had trouble sleeping and notices his light is on. Caleen takes off her jacket before embracing Karlo. She then heads to his bed and starts undressing. Meanwhile, Karn is visited by Sergeant Linus Mosk, who has reported for duty at midnight. Karn tells him to act quickly since they have a dangerous suspect. While discussing the planned operation, Mosk thinks that they will need 12 men and invites Karn to join the operation in order to boost morale. The two law enforcement officers agree about the need to avenge the deaths of two colleagues. Mosk describes Corporate Tactical Forces as the Galactic Empire's first line of defense and emphasizes the need to mount a show of strength.

Past and present[]

While Maarva waits at home, Andor obtains an Imperial transmitter from a derelict wheeled vehicle. While holding his blaster pistol, he experiences a flashback of he and his fellow Kenari tribesmen advancing on the wrecked starship, which has crashed in the middle of the jungle. A 16-year-old girl[6] leads the expedition.

In space, Luthen Rael flies his shuttle into Ferrix's atmosphere with the aid of a Fondor Droid Mod. After landing the shuttle in a canyon, he uses a pair of macrobinoculars to survey Caleen Salyard from a distance.

While the worker beats the metal slab with his hammer, Caleen awakes from her sleep. Karlo has had a sleepless night but offers to serve her caf. She asks if Karlo can open up the yard for him, claiming that she has few errands to run. Elsewhere, Andor chats with B2EMO, who asks why he needs comms. The droid asks about the location of Maarva's credits. Andor replies that they do not want anyone else finding her money, which the droid agrees with. B2EMO tries to advise Andor against running away, but Andor tells the droid that he should return lest Maarva worry about his whereabouts.

Meanwhile, Maarva searches for B2EMO at her home. While searching Andor's room, she finds an improvised staff from his childhood days. Back in the past, the Kenari female leader approaches the wrecked starship. She checks the body of a fallen yellow-skinned humanoid crew member and then approaches the ship's docking ring. She finds a second crew member's body lying by the entrance. The man's white jumpsuit has a Separatist symbol on it. One of the crew members stirs and shoots the female Kenari leader with his blaster. The tribe retaliate by firing darts until he falls to the ground. The grieving adolescents and children carry their fallen leader home. However, Andor stays behind and explores the starship.

Plans in motion[]

Back in the present, Xanwan argues with an alien customer named Granik at his transport business. Andor visits. Xanwan has been searching for a planet called Kenari, which was abandoned following an Imperial mining disaster. The planet is considered toxic, and travel is prohibited by the Empire. Xanwan also tells Andor that corporate enforcement authorities are looking for someone from Kenari and asks what he can do for Andor. Andor inquires about the costs of traveling to Tassar. Xanwan says that it will cost 900 credits due to the short notice and secrecy. Andor convinces him to settle for 700 credits.

As a Pre-Mor security starship travels through hyperspace, Sergeant Mosk briefs his troops about the fugitive Andor, warning them that he is a dangerous opponent. Mosk divides his forces into three teams with himself and Karn leading the West Team. Their plan is to ambush Andor with a pincer movement. Mosk warns that some local residents may be uncooperative and to remind them about a monthly Territorial Forum to raise their complaints. Karn addresses the troops, telling them about the risk of doing nothing. He tells them that he takes pride in their team and that there is no easy route to success and justice.

Meanwhile, Rael is a passenger on a hoverbus. A fellow passenger tries to chat with him about the docking fees for starships. He grumbles about the spaceport authorities charging them to spend their money. He talks about being able to travel freely on the planet when he was younger. Rael is not chatty, but the fellow passenger talks about working in the propulsion industry. The passenger tells Rael that if he can't find it here, it is not worth finding. The hoverbus flies over an urban settlement on Ferrix while Andor marches through the salvage yards to reach the meeting point.

Development[]

For a short period of time after "That Would Be Me" was released, Disney+ simply titled it "Episode 2." Before the capitalization was corrected, it was listed as "That Would be me."

Continuity[]

The 2016 book Star Wars: Rogue One: The Ultimate Visual Guide established that Cassian Jeron Andor's homeworld was Fest, which it presented as fact.[7] This was repeated in later sources;[8][9][10][11][12][13] however, "That Would Be Me" later established this was a lie the Andor family fabricated, as his actual homeworld was Kenari.

Media[]

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Collected in[]

Credits[]

By type
Cast Uncredited cast Crew Uncredited crew Special thanks

Cast

Crew

Visual Effects Crew

Construction Services provided by – Palace Scenery[3]

Greens Services provided by – Greens Team[3]

  • A Camera Operator – Ben Wilson
  • B Camera Operator – Iain Struthers
  • A Camera First Assistant – Sam Barnes
  • B Camera First Assistant – Gordon Segrove
  • A Camera Second Assistant – Adrian Stephens
  • B Camera Second Assistant – Ryan Adams
  • Central Loader – Martina Massimei
  • Camera Trainee – Molly Burcham
  • BFI Camera Trainee – Cecily Bedner
  • Tandem Unit A Camera Operator – Simon Finney
  • Tandem Unit B Camera/Steadicam Operator – Chris Bain
  • Tandem Unit A Camera First Assistant – Jonathan Wright
  • Tandem Unit B Camera First Assistant – Russell Kennedy
  • Tandem Unit A Camera Second Assistant – Ryan Bessin
  • Tandem Unit B Camera Second Assistant – Giles Taylor
  • Tandem Unit Central Loader – Clare Seymour
  • Tandem Unit Camera Trainee – Chloe Knight
  • Key Grip – Russell Diamond
  • Best Boy Grip – Andy Levett
  • A Camera Grip – Stuart Bunting
  • B Camera Grip – Matt Clyne
  • Trainee Grip – Alex Colthart
  • Crane Grips – Glen Dunning, Dean Morris
  • Crane Tech – Martin Elvin
  • Libra Tech – Connor Penfold
  • Standby Rigger – Rob Armstrong
  • Standby Carpenter – Vito Walker
  • Standby Painter – Nick Williams
  • Standby Stagehand – Brad Bede
  • Tandem Unit Key Grip – Jody Knight
  • Tandem Unit Best Boy Grip – David Littlejohns
  • Tandem Unit Grips – Ben Emerson, Simon Fogg
  • Tandem Unit Grip Trainee – Harvey Sebestyen Regan
  • Tandem Unit Standby Carpenter – Paul Jones
  • Tandem Unit Standby Painter – Terry Heggerty
  • Tandem Unit Standby Rigger – Thomas McDonald
  • Tandem Unit Standby Stagehand – Steven Matthews
  • Production Sound Mixer – Danny Hambrook
  • First Assistants Sound – Orin Beaton, Lee Thompson
  • Second Assistant Sound – Jordan Feemster
  • Sound Trainee – Imogen Jeffery Badger
  • Tandem Unit Sound Mixer – Tim White
  • Tandem Unit First Assistants Sound – Peter Davis, Tom Fennell
  • Tandem Unit Additional First Assistant Sound – James Gibb
  • Tandem Unit Second Assistant Sound – Julia Hardecka
  • DIT – John Paxton
  • Assistant DIT – Jess Pezet
  • Data Manager – Ollie Smith
  • Tandem Unit DIT – Jesse Llande
  • Tandem Unit DIT Wrangler – Matt England
  • Tandem Unit DIT Assistant – Dan Howard
  • Video Assist Operator – Zoe Whittaker
  • Video Assistant – Sean Ip Fung Chun
  • Network Infrastructure Technician – Alex McCormick
  • BFI Video Trainee – Phoebe Cullum
  • Creatures Video Assistant – Dean Ainscough
  • Tandem Unit Video Operator – Jarvis Coxwell
  • Tandem Unit Video Assistant – Henry Reece
  • Tandem Unit Video Trainee – Tom McGoldrick
  • Gaffer – Andy Lowe
  • Best Boy – Chris Stones
  • Lighting Console Operator – Nathan Porter
  • Chargehand Electrician – Duncan Riedl
  • Shooting Genny Op – Mark Sullivan
  • Standby Electrical Riggers – Cameron Berry, Emily Heffernan
  • Standby VFX Riggers – Adam Hubbard, Chris Rice
  • Standby Practical Electrician – Joel Ward
  • Tandem Unit Best Boy – Dominic Aronin
  • Tandem Unit Lighting Console Operator – Adam Millard
  • Tandem Unit Standby Electrical Rigger – Charlie Cole
  • Electricians – Dan Addis, Dan Chaytor, Vianney Kernanet, Marina Lewin-Richter, Max Lovell, Daniel McCormick, Pawel Polak, David Sedgwick, Dan Stones, Owen Varley
  • Tandem Unit Electricians – Dave Allen, Chris Broomfield, Tony Caja, Bradley Currie, Gian Pottieri, Sunny Singh, Ana Vilar-Bergua
  • HOD Practical Electrician – Colin Townsend
  • Electrical Rigging Gaffer – John Antill
  • Supervisor – Billy Clifford
  • Chargehand Electricians – Michael Barham, Normunds Luzinskis, Simeon Purdy
  • Standby Electrician – Joel Ward
  • Electricians – George Clifford, Steve Cole, Warren Davies, James Marks, Terry Townsend, Charles Woollard
  • Rigging Supervisor – Chris Dickinson
  • Rigging Chargehand – Gary Parnham
  • Rigging Desk Operator – Jaime Fletcher
  • Rigging Electricians – David Clayton, George Fox, Jack Geddes-Hopkins, Bobby Hankins, Brett Parnham, Richard Philbert, Roy Rowland, Dave O'Shaugh, Jay Stevens
  • HOD Electrical Rigger – Francis King
  • Chargehands – Lewis Beer, Mark Spring
  • Electrical Rigging Supervisor – Alex Glover
  • Riggers – Sam Cashman, Tyler Gibson, Paul King
  • Costume Supervisor – Kate O'Farrell
  • Assistant Costume Designers – Francoise Fourcade, Eloise Park, Laura Smith
  • Junior Design Assistants – Ellen Conrad, Amy Costello
  • Concept Artist – Andrey Ryabovichev
  • Costume Dept Coordinator – Claire Watson
  • Costume Assistant Dept Coordinator – Dulcie Menzie
  • Costume Trainee – Eryl Davies
  • Crowd Supervisor – Shirley Nevin
  • Crowd Wardrobe Mistress – Victoria Conte
  • Crowd Fitters – Mike Hodge, Maria Smith, Charlotte Ward
  • Senior Principal Standbys – Terry Archer, Maite Chemin, Lois Connell, Felicity Goldsworthy, Talulah Mason
  • Principal Standby – David Ball
  • Tandem Unit Senior Principal Standbys – Nicky Barron, Patrizio Gulino, Nadia Merabti
  • Tandem Unit Junior Principal Standby – Leo Tyler
  • Crowd Costume Assistants – Sekina Baker, Lucy Brookes, Hannah Elliman, Will Evans, Lucy Fage, Teddy George-Poku, Tom Hood, John Laurie
  • Crowd Costume Juniors – Nathan Grant, Joe Taylor-Beechley
  • Crowd Costume Trainee – Megan Brittle
  • Head Buyer – Nicola Sandford
  • Buyer – Izzy Stafford
  • Chief Textile Artist – Jackie Moody
  • Senior Textile Artists – Francesca Ackerson, Henrietta Thomas, Sadie Tilbury
  • Textile Artists – Lili Giblin-McGrady, Victoria Morgan
  • Junior Textile Artist – Niamh Cunningham
  • Principal Cutters – Malin Anderson, Rob Sutherland
  • Creatures & Crowd Cutter – Geoff Slack
  • Senior Makers – Giulia Chini, Emily Hudson
  • Makers – Carmen Barclay, Jonathan Burniston, Valeria Cantelli, Sylvaine Champeau, Nicole Dempster, Eve Herbert, Beth Morton
  • Junior Makers – Carly Andrews, Lottie Yearby Taylor
  • Cutter – Sara Fay
  • Trainees – Poppy Lees, Jodie Roberts, Cecile Schils
  • Costume Props/Armoury by Makinarium UK Ltd.Alfie Bones, Amanda Darby, Adrian Getley, Stewart Good, Adam Harris, Elizabeth Herring, Alex Hughes, Steve Kill, Robin Lawrence, Phil O'Connell, Kirsty Peters, Chris Schubert, Kate Wakefield
  • Hair & Makeup Supervisor – Gerda Lauciute
  • Senior Hair Artist – Julio Parodi
  • Senior Hair & Makeup Artist – Nuria Mbomio-Mba
  • Hair & Makeup Artists – Holly Caddy, Amy Cuppage, Daniele Nastasi, Inma Azorin
  • Hair & Makeup Junior – Issy Walton
  • Hair & Makeup Trainees – Emmalee Etherington, Ava Giles
  • Crowd Hair & Makeup Supervisor – Nicola Mount
  • Crowd Hair & Makeup Artists – Daisy Almond, Ria Biggerstaff, Leigh Crawford, David Dorling, Kamen Glover, Josephine Hoy, Lizzie Judd, Lynsey McIlwaine, Nina Pratley, Tamara Ramsey Crockett, Emma Sherry, Bianca Stewart, Caitlin Tanner, Georgia Thompson
  • Crowd Hair & Makeup Junior – Yasmin Munro
  • Crowd Hair & Makeup Trainees – Hannah Louise Callaghan, Holly Chambers, Rosalyn Fochs
  • Tandem Unit Hair & Makeup Supervisor – Jemma Carbello
  • Tandem Unit Senior Hair & Makeup Artists – Sharon Colley, Samantha Denyer
  • Tandem Unit Hair & Makeup Artists – Julia Finch, Niall Mann
  • Tandem Unit Hair & Makeup Trainee – Lily Harling
  • CFX Creature & Droid Creative Supervisor – Neal Scanlan
  • CFX Production Supervisor – Katie Newitt
  • CFX Coordinator – Samantha Langridge
  • Fabricator – Claire Bannister
  • CFX Buyers/Production Assistants – Joe Carlyle, Emma Green
  • Fabrication Assistant – Natalie Pettigrew
  • Creature Designer – Jacob Lunt Davies
  • Prosthetics Supervisor – Liz Barlow
  • Creature Designers/Senior Sculptors – Luke Fisher, Ivan Manzella
  • Paint Design Supervisor – Henrik Svensson
  • Senior Sculptors – Colin Jackman, Martin Rezard
  • Modeller – Cerina Knott
  • Sculptor – Justin Pitkethley
  • Supervising Foam Modeller – Jimmy Bernardinis
  • HOD Model Mouldshop – Kenny Wilson
  • Fabrication Designer – Thea Keenan
  • Senior Modellers – Brian Best, Karen Purvis
  • Hair & Fur Supervisor – Maria Cork
  • Animatronic Design Supervisor – Gustav Hoegen
  • Model Makers – Paul Szebesta, Lee Towersey
  • Senior Animatronic Designers – Giles Hannagan, Joshua Lee
  • Dressers – Chris Barlow, Emilie Carruthers, Bobbi Roberts
  • Animatronic Designers – Tim Berry, Gerard Moore
  • Electronic Design & Development Supervisor – Matthew Denton
  • Prosthetic Artists – Suzi Battersby, Emily Bilverstone, Jen Buck, Jen Kewley, Becca Olen, Megan Thomas
  • Creature Fabrication Design Supervisor – Vanessa Bastyan
  • Senior Fabrication Designers – Fiona Barnes, Sherri Hazzard
  • Animals Provided by – Birds & Animals UK
  • Dog Handlers – Sue Eld-Weaver, Collette Mackenzie, Jo Vaughan, James Weller
  • Special Effects Supervisor – Richard Van Den Bergh
  • Workshop Supervisor – Jody Taylor
  • Coordinator/Buyers – Louise Davis, Hamish Riddell
  • Senior Designers – Daniel Burnett, Steve Middleton
  • Assistant Designers – Brett Ellis, Isobel McInness
  • Senior Modeller – Richard Thomas
  • Senior Mould Technician – Oscar Williams
  • Mould Technician – Joe Birdsey
  • SFX Driver – Andy Rowland
  • Lead Senior Technicians – Tony Ciccarelli, Darren May
  • Senior Technicians – Gergö Bajczar, Gary Cohen, Neil Damman, Garth Guttridge, Julian Marsh, Karl Openshaw, Hayden Watson
  • Lead Technician Breakaways – George Spensley-Corfield
  • Floor Supervisor – David Roddham
  • Assistant Mould Technician – Tansy Boutrell
  • SFX Assistant – Charly Nolan
  • Technicians – Dorian Burnett, Luke Corbyn, Mark Douglas, Steve Scott, Peter Sellers, Leigh Stevens
  • Assistant Technicians – Paul Gilston, Max Hemmett, Bailey Watson
  • SFX Trainees – Joe Holden, Ashton McCarty-Gould, James Smith
  • Supervising Location Manager – Richard Hill
  • Location Managers – Jo Beckett, Ben Sanderson, Luke Stevenson, Jojo Warne
  • Assistant Location Managers – Stephanie Andrew, Charlie Burdon, Jeanne Caboche, Laura Cheese
  • Location Coordinator – Carolyn O'Reilly
  • Unit Manager – Sam Turner
  • Tandem Unit Manager – Dillon Beagley
  • Assistant Unit Manager – Sjors Fiege
  • Tandem Assistant Unit Manager – Oliver Northover
  • Unit Assistant – Zak Jarvis
  • Location Assistants – Flynn Berry, Ziggy Grey, Matthew Pyle
  • Location Unit Electricians – Neil Ashton, Ed Boltbee
  • Studio Manager – Jon Hills
  • Assistant Studio Manager – Martin Oliver
  • Studio Assistants – Kat Buckley, Alex Chakraborty, Antony Frederick, Matthew 'Tennessee' Graham, Marcus Mills, Peter Quinn
  • Post Production Supervisor – Elaine Waugh
  • Lead VFX Editor – Liyana Mansor
  • VFX Editor – Beaumont Loewenthal
  • VFX Assistant Editor – Kenny Li
  • First Assistant Editors – Laura Mountford, Craig Walters, James Barham
  • First Assistant Editor (New York) – Max Ethan Miller
  • Series First Assistant Editor – Danny Salas
  • Dailies Assistant Editor – Holly Laura Burn
  • Trainee Assistant Editor – Lucy Heyworth
  • Post Production Assistant – Holly Remmett
  • Main Titles designed by – Neil Kellerhouse, Devastudios, Inc.
  • End Credits by – Scarlet Letters
  • Front End Services by – Picture Shop London
  • Supervising Producer – Jason T. Morrow
  • Technical Manager – Tristan Hey
  • Dailies Producer – Victoria Burrows
  • Assistant Technical Manager – Alessio Ciattini
  • Dailies Lab Operators – Miles Anderson, Thomas Matthews
  • VFX Pulls by – Picture Shop London, Powered by Pulse
  • Pulse Operations – Dexter Kong, Michael McKnight, Daniel Youlton
  • Digital Intermediate provided by – Picture Shop London
  • Colourist – Jean-Clement Soret
  • Digital Intermediate Workflow Manager – Grace Lan
  • Colour Pipeline Supervisor – Alex Gascoigne
  • Digital Intermediate Consultants – Matthew Adams, Louise Stevenson
  • Online Editor – Simon Giblin
  • Head of Picture Operations – Charlotte Laing
  • DI Editors – Jenny-Jayne Webb, Maikel Popic
  • Post Production Managers – Alec Holroyd-Doveton, Colin Davis
  • Visual Effects by – Industrial Light & Magic
  • Lead Artists – Michael Cashmore, Wesley Chandler, Scott Dawkins, Javier Fernandez, Simon Herden, Kristin Sedore, Perry Hyun-Woo Sohn, Shivas Thilak, Terry Tsang, Talmage Watson
  • ILM Production – Lily Anderson, Lucy Davis, Kezia Feinson Dwyer, Marla Kate Fuller, Jarrett Krissa, Brendan Little, Alicia B. Reymann, Jack Sutcliffe, Benjamin Todd
  • Artists – Tim Adams, Audun Ase, Jeff Bartzis, Nunzio Bitetti, Fernando Brandao De Braga, Jennifer Burke, Bryan H. Carr, Solene Chan-Lam, Jae Young Chang, Michael Chang, Youngwoo Choi, Marko Chulev, Thomas Coster, Nancy Cristina, Eleonora D'Onofrio, Hannes Doornaert, Anand Dorairaj, Robert Dorris, Claire Duthie-Pagdiwalla, Corinne Dy, Vinicius Favero, Marco Juan Roxas Firme, Fernando Flores, Christopher James Ford, Clinton Ford, Richard Fry, Philip Gifford, K.S. Haddock, Michael Hipp, Michael Holmes, Jan Hrebicek, Ellen Jaram, Lucas Jardim Nunes, Neil Jianoran, Ryan L. Jones, Tomos Jones, Paria Kamyab, Joaquin Karlsen Gutierrez, Mark Keetch, Jeannie Kim, Kayla Lane, Melissa Leamon, Eric Leven, Brian Luzzi, Ramez Mahdi, Timothee Maron, Scott Marriott, Gordon Marshall, Ian Mathews, Deirdre McCarthy, Ryan McDonald, Cedric Moens De Hase, Alex Murtaza, Nozomi Nakano, Winfield O'Brien, Ciaran O'Connor, Shinya Onda, Daniele Orsetti, Rikin Patel, Matthias Peiffer, David Picarda, Fernanda Pizzolatto, Ed Pulis, Owen Rachel, Diego Rebello, Timothy Russell, Alba Sanchez-Serrano, Katherina Schuhmacher, Brian Schultz, Klaus Seitschek, Priya Short, Natalie Smith, Jordan Snow, Chris Stefiuk, Stefano Strabla, Josh Thornhill, Lee Tibbetts, Oscar Tornincasa, Roger Tortosa Aras, Chris Turner, Marian-Serban Ungureanu, Luke Vallée, Alejandro Vela-Castro, David Vivaldini, Kynan Voyeaud, Zoe Westbrook, Jason Wheatley, Kaitlyn Williams, Robin Witzsche, Chun Chun Yang, Isaac Zuren
  • ILM Executive Staff – Francois Chardavoine, Spencer Kent, John Knoll, Sue Lyster, Ben Morris, Luke O'Byrne, Jeff White
  • ILM Additional Support – Scott Atkins, Ryan Bottriell, Shanice Clarke, Kevin Cochet, Daniel Cote, Selina Cox, Christian Dahlberg, Simon Davies, Chong Deng, David Gatenby, Samuel Hall, John Hannon, Michelle Hebert, Mary Hinman, Ali Jafargholi, Michelle Kennedy, Amanda Knight, Phillip Lacey, Matt Leonard, Mike Lyons, Azmi Mohamed Maniku, Kati Maull, Stephanie Meyerink, Jarod Moschenross, Jamie Mundy, April Nagasawa, An Nguyen, Samuel Nicholls, Daniel O'Gorman, Noorwallid Osman, Duncan Parks, Maggie Perlman, Dan Pettipher, Riya Ramani, Rachel Rose, Lorraine Rozon Smiths, Betty Shaw, Jenny Spader, Jenna Starr, Davi Stein, Andre Sterling, Chris Tomkins, Whitney Townsley, Briony Warren, Indiana Wilson, Toh Zijing
  • Additional Visual Effects by – Stereo D, Whiskeytree Inc, Yannix
  • Visual Effects by – Hybride, A Ubisoft Division
  • Visual Effects Supervisor – Joseph Kasparian
  • Visual Effects Producers – Louise Bertrand, Mélanie Carignan, Richard Martin
  • Hybride – Olivier Beaulieu, Pierre Blain, Maryse Bouchard, Christophe Damiano, Olivier Gravel, Steve Pelchat, Philippe Théroux, Marco Tremblay, Cédric Arsenault, Marie-Claude Aubry, Michel Barrière, David Bédard, David Bélanger-Dambremont, Alex Blaquière, Samuel Cardinal, Jordan Cassidy, Marlène Circé, Michaël Coutu, Joanie Croteau, Charles-Étienne D'Amours, Alexandra Dennie, Audrey Deschênes, Ashish Dewan, Annie Dufresne, Timo Fahrbach, Patrice Ferron-Craig, Doréa Fontaine, Gabriel Forbes, Yanick Gaudreau, Maxime Grenier, Alexandru Ichim, Alexy Jukic-Prévost, Tanya Kular, Mélissa Laframboise Maillé, Mathieu Lalonde, Catherine Lecavalier, Jade Lessard, Samuel Loriault-Goulet, Martine Losier, Gabrielle Marchand, Benoît Morin, Mohammadali Nezafat, Marie-Ève Pelletier, Jonathan Perth, Jordan Picotte, Myriam Ricard-Lalonde, Sébastien Rioux, David Roberge, Nicolas Scuntaro, Matthew Smith, Marc St-Gelais, Audrey-Anne Surprenant, Patrick Tassé, Alexandre Tessier, Emma Tessier-Langevin, Philippe Vachon, Jessica Vallée, Valérie Villeneuve, Michel Bergeron, Mahmoud Boubetra, Jimmy Caron, Zacharie Dufault, René Filion, David Gary, Dominic Gaudreau, Stephan Gervais, Bruno-Pierre Jobin, Mathieu Leclaire, Olivier Painchaud, Patrick Piché, Vincent Quintal, Sylvain Rioux, Michel Rock, Daniel Silva, Yannick Tétreault, Olivier Amah, Caroline Bélisle, Isabelle Desrochers, Marie Nakhlé, Sylvie Talbot, Anne Tremblay, Michel Murdock, Thierry Delattre, Mathieu Boucher, Pierre Raymond
  • Additional Visual Effects by – Midas VFX
  • Visualization by – The Third Floor, Inc.
    • Visualization Supervisor – Jen Kitching
    • Visualization Coordinators – Merika Sam-German, Janneke Vennema-Osborne, Jana Pšenková
    • Visualization Line Producer – Tilly Holton-Newman
    • Visualization Leads – Dan Copping, Jaime Visedo Cañizares
    • Asset Artist – Dominic Martin
    • Head of Production – Lisa Brodie-Tsotsos
    • Visualization Artists – Sebastian Kuder, Manon Huez, Dylan Wyn Owen, Rachel Wright, Desirée Meduri, Bobby Strain, Eric Tsui, Raul Alves, Gabor Kiss
    • Executive Producer – Tim Keene
    • Head of Assets – Phil Tsang
    • Talent Manager – Kotryna Zabulionyte
    • Finance Managers – Brendon Dublin, Gayaneh Sahakian
    • Executive Producer – Marcus Alexander
    • IT Support – Luke Weller, Dawid Jadkowski
    • Pipeline Support – Keith Pang, Imran Rehman
    • Casting Manager – Abigail Sullivan
  • Character and Prop Scanning by – Clear Angle Studios
  • Lidar Scanning Services by – We Shoot Lasers
  • Music Editor – John Finklea
  • Conductor – Matt Dunkley
  • Score Recording Engineer – Tommy Vicari, CAS
  • Score Mixer – Casey Stone, CAS
  • Recordists – John Prestage, Rowan McIntosh
  • Second Engineers – Jack Mills, Eve Morris, Jedidiah Rimell
  • Score Technical Assistance – David Giuli
  • Concertmaster – Everton Nelson
  • Orchestrations – Matt Dunkley, Nicholas Britell
  • Music Librarian – David Hage, Dakota Music
  • Additional Librarian – Michael McCoy
  • Orchestra Contractors – Jenny Goshawk, Lucy Whalley, Isobel Griffiths Ltd.
  • Studio Manager - Lake George Entertainment LLC – Christopher Ruskis
  • Musicians – Corinne Bailey, Max Baillie, Chris Baron, Annie Beilby, Mark Berrow, Richard Bissill, Fiona Bonds, Natalia Bonner, Nicholas Bootiman, Adrian Bradbury, Catherine Bradshaw, Ben Buckton, Ian Burdge, Jonny Byers, Emil Chakalov, Reiad Chibah, Paul Clarvis, Barry Clements, Richard Cookson, Nick Cooper, David Daniels, Caroline Dearnley, Sue Dench, Alison Dods, Philip Eastop, Dave Elliott, Jonathan Evans-Jones, Rob Farrer, Melissa Favell-Wright, Byron Fulcher, Richard George, Tim Gill, Tracy Holloway, Martin Humbey, Ian Humphries, Jeremy Issac, Magnus Johnston, David Juritz, Helen Kamminga, Francis Kefford, Thomas Kemp, Patrick Kiernan, Nicholas Korth, Rick Koster, Nicholette Kuo, Peter Lale, Rachael Lander, Roger Linley, Lydia Lowndes-Northcott, Dorina Markoff, Vicky Matthews, Ciaran McCabe, John Mills, Perry Montague-Mason, Frank Moon, Steve Morris, Phil Munds, Kate Musker, Everton Nelson, Mark Nightingale, Odile Ollagnon, Martin Owen, David Pyatt, Julian Poole, Rupert Ring, Jenny Sacha, Frank Schaefer, Mary Scully, Sarah Sexton, Lucy Shaw, Robert Smissen, Tom Pigott-Smith, Dave Stewart, Nicky Sweeney, Ed Tarrant, Ian Thomas, Cathy Thompson, Michael Thompson, John Thurgood, Michael Trainor, Laurence Ungless, Bozidar Vukotic, Allen Walley, Matt Ward, Alexei Watkins, Richard Watkins, Daniel West, Debbie Widdup, Paul Willey, Jonathan Williams, Stephen Williams, Andy Wood, Phil Woods, Tony Woollard, Chris Worsey
  • Score Recorded at – Air Studios, London, British Grove Studios, London
  • Post Production Sound Services by – Skywalker Sound, A Lucasfilm Ltd. Company, Marin County, California
    • Supervising Sound Editor/Sound Designer – David Acord
    • Supervising Sound Editor – Margit Pfeiffer
    • Dialogue Editor – Richard Quinn
    • Foley Editor – Shaun Farley
    • Foley Artists – Shelley Roden, John Roesch
    • Foley Mixer – Scott Curtis
    • Engineering Services – Dusty Jermier
    • Post Production Sound Accountant – Jessica Engel
    • Head of Production Finance & Planning – Mike Peters
    • Head of Engineering – Steve Morris
    • Re-Recording Mixer – David Acord
    • Sound Effects Editor – J.R. Grubbs
    • ADR Editors – Daniel Laurie, Steve Slanec
    • Assistant Supervising Sound Editor – Dug Winningham
    • Loop Group Mixer – Matthew Wood
    • Assistant Re-Recording Mixer – Danielle Adams
    • Digital Editorial Support – Ivan Piesh
    • Client Services – Eva Porter
    • Studio Capacity Manager – Carrie Perry
    • Head of Production – Jon Null
    • SVP/General Manager – Josh Lowden
  • Mix Stages provided by – Warner Bros. De Lane Lea, London
  • Sound Mix Technician – Ross Western
  • Sound Mix Assistant – Kirsten Kidwell
  • Sound Engineer – George Hooker
  • Health & Safety Officer – Jonathan Hill
  • Health & Safety Advisor – Ben McMullen
  • Health & Safety Coordinator – Charlotte Curd
  • Unit Paramedic – Rachel Bucknor
  • Construction Nurse – Mary Watt
  • Crowd Nurse – Ruth Bayliss
  • Tandem Unit Nurse – Carissa Simpe-Asante
  • Tandem Unit Health & Safety Advisor – David Ronson
  • Disney Health & Safety Manager – Dion Bowes
  • Disney Health & Safety Supervisors – Rob Beggs, Jordan Short
  • Disney Health & Safety Advisor – Jazz Pritchard
  • Production Health & Safety Coordinators – Caroline Houghton, Sam Sorbie, Naomi Weiner
  • Production Health & Safety Secretaries – Harvey Diack, Eleanor Hoppe
  • Production Health & Safety PPE Coordinators – Tim Noakes, Chris Rouse
  • Production Health & Safety PPE Production Assistants – Kieran Kavanagh, Mikey Lloyd, Sam White, Jess Bevan, Lois Constantinou
  • Production H&S PPE Location Assistant – John Peddie
  • Senior Security Manager – Connor Nolan
  • Security Manager – Craig Etherton
  • Security Coordinator – Matthew Thorne
  • Security Administrator – Malwina Palus
  • Security Services courtesy of Main Unit Location Services LTD.Mike Anderson, Rich Easter, Jean Paul Greenwood, Terry Holdaway, Paul Hopkins, Barry Lehec, Rob Sipson, David Taylor, Mark Williams, Tom Wyatt
  • Asset Coordinator – Claire Scott
  • Portrait Galley & Tandem Unit Photographer – Ed Miller
  • Photo Editor – Leah Evans
  • Franchise Accountant – Polly Fletcher
  • Franchise Supervisor – Laura Evans
  • IT Support – Rameez Daureeawoo, Dilany Koyratty
  • Technology Support – Manny Ponce, Jono Echols, Rick Tuckness, Phil Lacey, Peter Hricak, Susan Brown, Jason Geiger, Tim Fogarty, Zack Bunker, Matt Martinis, Jeff Nagasuga, Caitlin Torsney, Greg Garson, Renee Yang, Calvin Smith
  • Catering by – Red Chutney Ltd.
  • Transport Captain – Jimmy Carruthers
  • Transport Co-Captains – Matthew Sampson, David J Rosenbaum
  • Transport Coordinator – Ashley Isaac
  • Driver to Diego Luna – Lee Isgar
  • Unit Drivers – Stephen Casey, Wayne Cotham, Kieran Crowley, John Doran, Bob Hole, Robert Isaac, Patrick Sands, Christian Scott, Ed Shanley, Ross Vasco, Tony Wadsworth, Keith Wignall
  • Mini Bus Drivers – Paul Ashby, Mark Bedford
  • Main Unit Support Driver – Andrew Pocock
  • Tandem Unit Transport Captain – Peter Trotman
  • Tandem Unit Drivers – Costas Anastasiou, Gary Wardley
  • Tandem Unit Van Driver – Carl Isherwood
  • Movie Makers Facilities HOD – Tim Simpson
  • Movie Makers Crew – Lucian Lungu, Costa Popa, Alex Sirb, Paul Smith, Jason Waite, Paul Williams
  • Lays Tech HOD – Phil Taylor
  • Lays Tech Crew – Kerri Allen, Chris Blackman, Jason Brown, Steve Mickleburgh

Lucasfilm Ltd.

Walt Disney Studios

  • American Humane monitored the animal action.
  • AVID Editing Equipment and Cutting Rooms supplied by – Hireworks
  • Filmed at – Pinewood Studios, London, England
  • Produced with the support of the British Film Commission and the UK Government Film Tax Relief
  • With the participation of the Province of British Columbia Production Services Tax Credit
  • Digital and Visual Effects undertaken in South Australia with the support of the South Australian Film Corporation

Appearances[]

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Characters Organisms Droid models Events Locations
Organizations and titles Sentient species Vehicles and vessels Weapons and technology Miscellanea

Characters

Organisms

Droid models

Events

Locations

Organizations and titles

Sentient species

Vehicles and vessels

Weapons and technology

Miscellanea

Sources[]

Notes and references[]

  1. 1.0 1.1 1.2 1.3 1.4 1.5 1.6 1.7 Disney.com Andor Media Kit on Disney's official website (backup link)
  2. 2.0 2.1 Andor | Official Trailer | Disney+ (2:25) on the official Star Wars YouTube channel (backup link) (Posted on StarWars.com)
  3. 3.000 3.001 3.002 3.003 3.004 3.005 3.006 3.007 3.008 3.009 3.010 3.011 3.012 3.013 3.014 3.015 3.016 3.017 3.018 3.019 3.020 3.021 3.022 3.023 3.024 3.025 3.026 3.027 3.028 3.029 3.030 3.031 3.032 3.033 3.034 3.035 3.036 3.037 3.038 3.039 3.040 3.041 3.042 3.043 3.044 3.045 3.046 3.047 3.048 3.049 3.050 3.051 3.052 3.053 3.054 3.055 3.056 3.057 3.058 3.059 3.060 3.061 3.062 3.063 3.064 3.065 3.066 3.067 3.068 3.069 3.070 3.071 3.072 3.073 3.074 3.075 3.076 3.077 3.078 3.079 3.080 3.081 3.082 3.083 3.084 3.085 3.086 3.087 3.088 3.089 3.090 3.091 3.092 3.093 3.094 3.095 3.096 3.097 3.098 3.099 3.100 3.101 3.102 3.103 3.104 3.105 3.106 3.107 3.108 3.109 3.110 3.111 3.112 3.113 3.114 3.115 3.116 3.117 3.118 3.119 3.120 3.121 3.122 3.123 3.124 3.125 3.126 3.127 3.128 3.129 3.130 3.131 3.132 3.133 3.134 3.135 3.136 3.137 3.138 3.139 3.140 3.141 3.142 3.143 3.144 3.145 3.146 3.147 3.148 3.149 3.150 3.151 3.152 3.153 3.154 3.155 3.156 3.157 3.158 3.159 3.160 3.161 3.162 3.163 3.164 3.165 3.166 3.167 3.168 3.169 3.170 3.171 3.172 3.173 3.174 3.175 3.176 3.177 3.178 3.179 3.180 3.181 3.182 3.183 3.184 3.185 3.186 3.187 3.188 3.189 3.190 3.191 3.192 3.193 3.194 3.195 3.196 3.197 3.198 3.199 3.200 3.201 3.202 3.203 3.204 3.205 3.206 3.207 3.208 3.209 3.210 3.211 3.212 3.213 3.214 3.215 3.216 3.217 3.218 3.219 3.220 3.221 3.222 3.223 3.224 3.225 3.226 3.227 3.228 3.229 3.230 3.231 3.232 3.233 3.234 3.235 3.236 3.237 3.238 3.239 3.240 3.241 3.242 3.243 3.244 3.245 3.246 3.247 3.248 3.249 3.250 3.251 3.252 3.253 3.254 3.255 3.256 3.257 3.258 3.259 3.260 3.261 3.262 3.263 3.264 3.265 3.266 3.267 3.268 3.269 3.270 3.271 3.272 3.273 3.274 3.275 3.276 3.277 3.278 3.279 3.280 3.281 3.282 3.283 3.284 3.285 3.286 3.287 3.288 3.289 Star Wars: Andor — "That Would Be Me"
  4. Star Wars: Dawn of Rebellion: The Visual Guide dates the events of "That Would Be Me" to 5 BBY.
  5. Star Wars: Dawn of Rebellion: The Visual Guide establishes that Cassian Jeron Andor was twenty-seven years old during the events of Andor Season 1, the events of which are dated to 5 BBY by that same book. Cassian Andor in the Databank (backup link) establishes that Andor was nine years old when he left Kenari, with StarWars.com "Reckoning" Episode Guide | Andor on StarWars.com (backup link) establishing that this occurred before the Confederacy of Independent Systems had formed. Rise of the Separatists and The Star Wars Book establish that the formation the CIS occurred two years before the First Battle of Geonosis, which Star Wars: Timelines and other sources date to take place in 22 BBY. For all this information to be true, Cassian Andor had to have been born in 33 BBY, with his departure taking place after his birthday, but before the Raxus Address in 24 BBY, and the events of Andor taking place before his birthday in 5 BBY.
  6. Star Wars: Andor — "Kassa" (Audio description from Disney+)
  7. Star Wars: Rogue One: The Ultimate Visual Guide
  8. Star Wars: Rogue One: Secret Mission
  9. Star Wars: Absolutely Everything You Need to Know, Updated and Expanded
  10. Star Wars Helmet Collection: Imperial Ground Crew Weapons & Uniforms: Rogue One Commandos
  11. Ultimate Star Wars, New Edition
  12. "The Heroes of Rogue One" — Star Wars Encyclopedia
  13. Star Wars: Character Encyclopedia, Updated and Expanded Edition

External links[]